Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
"'So you're going to foreign parts, Miss,' says I."
Mrs. Symes had flung back her bonnet strings and was holding a
saucerful of boiling tea skilfully poised on the fingers of one hand.
"'Yes, Mrs. Symes,' says she, 'don't you wish you was going too?' she
says. And she laughed, but I'm not easy blinded, and well I see as she
only laughed to 'ide a bleedin' 'art. 'Not me, Miss,' says I; 'nice
figure I should look a-goin' to a furrin' boardin' school at my time
of life.'
"'It ain't boardin' school,' says she. 'I'm a-going to learn to paint
pictures. I'll paint your portrait when I come home,' says she, and
laughs again--I could see she done it to keep the tears back.
"'I'm sorry for you, Miss, I'm sure,' I says, not to lose the chance
of a word in season, 'but I hope it'll prove a blessing to you--I do
that.'"
"'Oh, it'll be a blessing right enough,' says she, and keeps on
laughing a bit wild like. When the art's full you can't always stop
yourself. She'd a done better to 'ave a good cry and tell me 'er
troubles. I could a cheered her up a bit p'raps. You know whether I'm
considered a comfort at funerals and christenings, Mrs. James."
"I do," said Mrs. James sadly; "none don't know it better."
"You'd a thought she'd a bin glad of a friend in need. But no. She
just goes on a-laughing fit to bring tears to your eyes to hear her,
and says she, 'I hope you'll all get on all right without me.'"
"I hope you said as how we should miss her something dreadful," said
Mrs. James anxiously, "Have another cup."
"Thank you, my dear. Do you take me for a born loony? Course I did.
Said the parish wouldn't be the same without her, and about her pretty
reading and all. See here what she give me."
Mrs. James unrolled a violet petticoat.
"Good as new, almost," she said, looking critically at the hem.
"Specially her being taller'n me. So what's not can be cut away, and
no loss. She kep' on a-laughing an' a-smiling till the old man he come
in and he says in his mimicking way, 'Lizzie,' says 'e, 'they're
a-waitin' to fit on your new walkin' costoom,' he says. So I come
away, she a-smiling to the last something awful to see."
"Dear, dear," said Mrs. James.
"But you mark my words--she don't deceive _me_. If ever I see a
bruised reed and a broken 'art on a young gell's face I see it on
hers this day. She may laugh herself black in the face, but she won't
laugh me into thinking what I knows to be far otherwise."
"Ah," said Mrs. James resignedly, "we all 'as it to bear one time or
another. Young gells is very deceitful though, in their ways, ain't
they?"
Book 2.--The Man
CHAPTER VIII.
THE ONE AND THE OTHER.
"Some idiot," remarked Eustace Vernon, sipping Vermouth at a little
table, "insists that, if you sit long enough outside the Café de la
Paix, you will see everyone you have ever known or ever wanted to know
pass by. I have sat here for half-an-hour--and--_voila_."
"You met me, half an hour ago," said the other man.
Public-domain text, read in full here on John Shaqi.
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