Artists -- Fiction; British -- France -- Paris -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
"Oh, _you_!" said Vernon affectionately.
"And your hat has gone off every half minute ever since," said the
other man.
"Ah, that's to the people I've known. It's the people I've wanted to
know that are the rarity."
"Do you mean people you have wanted to know and not known?"
"There aren't many of those," said Vernon; "no it's--Jove, that's a
sweet woman!"
"I hate the type," said the other man briefly: "all clothes--no real
human being."
The woman was beautifully dressed, in the key whose harmonies are only
mastered by Frenchwomen and Americans. She turned her head as her
carriage passed, and Vernon's hat went off once more.
"I'd forgotten her profile," said Vernon, "and she's learned how to
dress since I saw her last. She's quite human, really, and as charming
as anyone ought to be."
"So I should think," said the other man. "I'm sorry I said that, but I
didn't know you knew her. How's trade?"
"Oh, I did a picture--well, but a picture! I did it in England in the
Spring. Best thing I've done yet. Come and see it."
"I should like to look you up. Where do you hang out?"
"Eighty-six bis Rue Notre Dame des Champs," said Vernon. "Everyone in
fiction lives there. It's the only street on the other side that
authors seem ever to have dreamed of. Still, it's convenient, so I
herd there with all sorts of blackguards, heroes and villains and what
not. Eighty-six bis."
"I'll come," said the other man, slowly. "Do you know, Vernon, I'd
like awfully to get at your point of view--your philosophy of life?"
"Haven't you got one, my dear chap!--'sufficient unto' is my motto."
"You paint pictures,", the other went on, "so very much too good for
the sort of life you lead."
Vernon laughed.
"My dear Temple," he said, "I live, mostly, the life of a vestal
virgin."
"You know well enough I'm not quarrelling with the way you spend your
evenings," said his dear Temple; "it's your whole outlook that doesn't
match your work. Yet there must be some relation between the two,
that's what I'd like to get at."
There is a bond stronger than friendship, stronger than love--a bond
that cannot be forged in any other shop than the one--the bond between
old schoolfellows. Vernon had sometimes wondered why he "stood so
much" from Temple. It is a wonder that old schoolfellows often feel,
mutually.
"The subject you've started," said he, "is of course, to me, the most
interesting. Please develop your thesis."
"Well then, your pictures are good, strong, thorough stuff, with
sentiment--yes, just enough sentiment to keep them from the brutality
of Degas or the sensualism of Latouche. Whereas you, yourself, seem to
have no sentiment."
"I? No sentiment! Oh, Bobby, this is too much! Why, I'm a mass of it!
Ask--"
"Yes, ask any woman of your acquaintance. That's just it--or just part
of it. You fool them into thinking--oh, I don't know what; but you
don't fool me."
"I haven't tried."
Public-domain text, read in full here on John Shaqi.
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