_Bis._ Sir, your intention of waiting on me was the greatest affront
imaginable, however your expressions may turn it to a compliment: Your
visit, sir, was intended as a prologue to a very scurvy play, of which,
Mr. Mirabel and you so handsomely laid the plot.--"Marry! No, no, I am
a man of more honour."--Where's your honour? Where's your courage now?
Ads my life, sir, I have a great mind to kick you!--Go, go to your
fellow-rake now, rail at my sex, and get drunk for vexation, and write a
lampoon--But I must have you to know, sir, that my reputation is above
the scandal of a libel, my virtue is sufficiently approved to those
whose opinion is my interest: and, for the rest, let them talk what they
will; for, when I please, I'll be what I please, in spite of you and all
mankind; and so, my dear man of honour, if you be tired, con over this
lesson, and sit there till I come to you. [_Runs off._
_Dur._ Tum ti dum. [_Sings._] Ha! ha! ha! "Ad's my life, I have a great
mind to kick you!"--Oons and confusion! [_Starts up._] Was ever man so
abused!--Ay, Mirabel set me on.
_Enter_ PETIT.
_Petit._ Well, sir, how d'ye find yourself?
_Dur._ You son of a nine-eyed whore, d'ye come to abuse me? I'll kick
you with a vengeance, you dog!
[PETIT _runs off, and_ DURETETE _after him_.
ACT THE THIRD.
SCENE I.
OLD MIRABEL'S _House_.
_Enter_ OLD _and_ YOUNG MIRABEL, _meeting_.
_Old Mir._ Bob, come hither, Bob.
_Y. Mir._ Your pleasure, sir?
_Old Mir._ Are not you a great rogue, sirrah?
_Y. Mir._ That's a little out of my comprehension, sir; for I've heard
say, that I resemble my father.
_Old Mir._ Your father is your very humble slave--I tell thee what,
child, thou art a very pretty fellow, and I love thee heartily; and a
very great villain, and I hate thee mortally.
_Y. Mir._ Villain, sir! Then I must be a very impudent one; for I can't
recollect any passage of my life that I'm ashamed of.
_Old Mir._ Come hither, my dear friend; dost see this picture?
[_Shows him a little Picture._
_Y. Mir._ Oriana's? Pshaw!
_Old Mir._ What, sir, won't you look upon't?--Bob, dear Bob, pr'ythee
come hither now--Dost want any money, child?
_Y. Mir._ No, sir.
_Old Mir._ Why, then, here's some for thee: come here now--How canst
thou be so hard-hearted, an unnatural, unmannerly rascal, (don't mistake
me, child, I a'n't angry) as to abuse this tender, lovely, good-natured,
dear rogue?--Why, she sighs for thee, and cries for thee, pouts for
thee, and snubs for thee; the poor little heart of it is like to
burst----Come, my dear boy, be good-natured, like your own father; be
now--and then, see here, read this----the effigies of the lovely Oriana,
with thirty thousand pound to her portion--thirty thousand pound, you
dog! thirty thousand pound, you rogue! how dare you refuse a lady with
thirty thousand pound, you impudent rascal?
_Y. Mir._ Will you hear me speak, sir?
Public-domain text, read in full here on John Shaqi.
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