The Indian Lily and Other StoriesSudermann, Hermann
General
The Indian Lily and Other Stories
Sudermann, Hermann
Short stories, German -- Translations into English; Sudermann, Hermann, 1857-1928 -- Translations into English
Suddenly I hear the booming of the tower clock.
"Can't I get it a little cheaper?" I ask half-throttled.
"Well, did you ever?" she says, obviously hurt. "There are ten roses
in the bunch; they cost a mark a piece at this time. We throw in
the riband."
I am disconsolate and am about to leave the shop. But the old
saleswoman who knows her customers and has perceived the tale of love
lurking under my whispering and my hesitation, feels a human sympathy.
"You might have a few roses taken out," she says. "How much would you
care to expend, young man?"
"Eight marks and seventy pfennigs," I am about to answer in my folly.
Fortunately it occurs to me that I must keep out a tip for her maid.
The ladies of the theatre always have maids. And I might leave late.
"Seven marks," I answer therefore.
With quiet dignity the woman extracts _four_ roses from my bunch and I
am too humble and intimidated to protest.
But my bunch is still rich and full and I am consoled to think that a
wooing prince cannot do better.
Five minutes past seven I stand before her door.
Need I say that my breath gives out, that I dare not knock, that the
flowers nearly fall from my nerveless hand? All that is a matter of
course to anyone who has ever, in his youth, had dealings with faeries
of Thea's stamp.
It is a problem to me to this day how I finally did get into her room.
But already I see her hastening toward me with laughter and burying
her face in the roses.
"O you spendthrift!" she cries and tears the flowers from my hand in
order to pirouette with them before the mirror. And then she assumes a
solemn expression and takes me by a coat button, draws me nearer and
says: "So, and now you may kiss me as a reward."
I hear and cannot grasp my bliss. My heart seems to struggle out at my
throat, but hard before me bloom her lips. I am brave and kiss her.
"Oh," she says, "your beard is full of snow."
"My beard! Hear it, ye gods! Seriously and with dignity she speaks of
my beard."
A turbid sense of being a kind of Don Juan or Lovelace arises in me.
My self-consciousness assumes heroic dimensions, and I begin to regard
what is to come with a kind of daemonic humour.
The mist that has hitherto blurred my vision departs. I am able to
look about me and to recognise the place where I am.
To be sure, that is a new and unsuspected world--from the rosy silken
gauze over the toilet mirror that hangs from the beaks of two floating
doves, to the row of exquisite little laced boots that stands in the
opposite corner. From the candy boxes of satin, gold, glass, saffron,
ivory, porcelain and olive wood which adorn the dresser to the edges
of white billowy skirts which hang in the next room but have been
caught in the door--I see nothing but miracles, miracles.
Public-domain text, read in full here on John Shaqi.
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