The Industrial Arts in SpainRiaño, Juan F. (Juan Facundo)
History
The Industrial Arts in Spain
Riaño, Juan F. (Juan Facundo)
Decorative arts -- Spain -- History; Pottery -- Spain -- History
Freset, Perrin, } Frenchmen working at Olite, Navarre, in 1444
Rodez, Conrat de, }
Bonte, Daniel de, a German, working at Olite, in Navarre about 1400
Valdubia, Maestro Ferrando, Rome 1525
Fuente, Gonsalvo de, Rome 1539
Alfonso, Rome 1546
IRON WORK.
Numerous iron mines have existed in Spain, especially in the Cantabrian
provinces, and have been worked from very early times. They are
mentioned by Pliny, lib. 34, cap. xii., and have given rise to the
development of excellent metal works in the Spanish Peninsula: although
in many localities this tradition has been continued until our days, the
Basque Provinces have in all times excelled in this artistic industry.
The want of durability and the little care taken of objects of
iron-work, owing to the insignificant value of the material employed,
prevent us from being able to mention any important examples of a very
early date. After drawing attention to some interesting specimens which
have reached us from the Spanish-Arabs, we must begin the history of
iron-work in Spain in the second half of the 15th century; it continues
to progress in the 16th, and produced undoubtedly at that period works
which were unrivalled in Europe. The _rejas_ or chancel screens
enclosing chapels in the cathedrals of Toledo, Seville, Granada,
Salamanca, and other churches in Spain, of which it is much to be
deplored no drawings or photographs exist, deserve the especial
attention of those who follow this industry in the present day, owing to
the beauty of their forms, and the inexhaustible variety of models which
they present to the manufacturer.
Besides specimens of Iron-work connected with arms which will be
described in a separate article, the most interesting examples of
Moorish manufacture which have reached us are keys of most delicate
tracery; their perfect state of preservation shows that they have only
been used as symbols of cities or fortresses, which on given occasions
were offered to kings or great people. Even in the present day the
ceremony is still kept up of offering a key to the foreign princes who
stay at the royal palace of Madrid, and in a similar manner as far back
as the Middle Ages, keys have been presented to Spanish sovereigns on
their visiting such towns as Toledo or Seville, and a ceremonial is gone
through of swearing to uphold their privileges, a reminiscence probably
of what occurred when these towns were conquered from the Moors.
Public-domain text, read in full here on John Shaqi.
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