The Industrial Arts in SpainRiaño, Juan F. (Juan Facundo)
History
The Industrial Arts in Spain
Riaño, Juan F. (Juan Facundo)
Decorative arts -- Spain -- History; Pottery -- Spain -- History
One of these keys at Valencia, belonging to Count de Trigona, measures
9½ inches long, and was originally gilt; its handle or bow is closed,
and covered with delicate work in relief. The wards are ornamented in
the same manner with a combination of several words written in Cufic
letters of difficult interpretation. Round the handle we can read most
distinctly in Arabic the name of the artist: "It was made by Ahmed
Ahsan."
This key appears to be of the 13th to 14th century. Two similar ones
existed in the town hall of Valencia of a most monumental character;
they were considered of great antiquity, but it has been ascertained
that they were made in 1632, by the locksmith Juan Marti.
In the shrine of the Cathedral of Seville there are two interesting keys
(_see_ woodcut); one of them is of iron, the other of silver, of a
similar style. For further details see "Museo Español de Antiguedades,"
vol. ii., p. I. The first, which is represented to the right, is of
genuine Moorish workmanship; the wards are covered with letters in Cufic
characters, which several oriental scholars have tried to interpret,
without coming to a satisfactory conclusion, probably owing to the
confused, or double meaning of the letters. It is supposed with good
foundation that this was the identical key which was given to King St.
Ferdinand, the conqueror of Seville, in 1248, the day he took possession
of the city. The silver key, to the left of the plate, has traces of
gold and niello work, representing in the upper part, ships, castles and
lions. Round the handle runs an inscription in Hebrew--"The King of
Kings will open; the King of the whole Earth will enter." In the wards
appear in delicate open work carving the following words in Spanish,
"God will open; the king will enter. Dios abrirá; rey entrará." It may
be affirmed to have been made in the 14th century, and in that case,
symbolizes some event of the life of King Pedro the Cruel, a great
protector of the Jewish race. Five Moorish keys of a similar kind, but
inferior merit, may be seen in the local Museum of Segovia, and the
Archæological Museum of Madrid.
[Illustration: MOORISH KEYS IN THE CATHEDRAL OF SEVILLE.]
Public-domain text, read in full here on John Shaqi.
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