Mrs. McPhillip had awakened from her reverie as soon as her husband
spoke. She had started up and gripped her breast over her heart with a
dumb exclamation. Then she rubbed her two eyes hurriedly and looked at
him. As soon as she saw him, her eyes grew dim again and her body
subsided into the chair from which it had risen slightly.
“Jack,” she cried in an agonized voice, “Jack! Jack, leave him alone.
He was Frankie’s friend. He was a friend of me dead boy’s. Let him
alone. What’s done is done.”
“Be damned to that for a story,” cried Jack. His voice was weak and
jerky, just like the voice of his dead son. “A friend d’ye call him?
What kind of friend d’ye call that waster that never did a day’s work
in his life? That ex-policeman! He was even driven outa the police.
That’s fine company for yer son, Maggie. It’s the likes o’ him that’s
brought Frankie to his death an’ destruction. Them an’ their
revolutions. It’s in Russia they should be where they could act the
cannibal as much as they like, instead of leadin’ good honest Irishmen
astray. Why don’t they get out of here and go back to England where
they came from, with their rotten gold, gev to them be the Orangemen
to turn Ireland into an uproar, so that the Freemasons could step in
again and capture it. Ah-h-h-h, I’d like to get me fingers on yer
throat, ye——”
He was rushing across the floor at Gypo, but the three men had jumped
up and caught him. They held him back. Gypo stared at him, as if in
perplexity, without moving. But the muscles of his shoulders
stiffened, almost unconsciously. His eyes wandered slowly from the
fuming husband to the sobbing wife, who had again turned to the fire.
Then the people from the parlour rushed into the kitchen, attracted by
the shouting. They were headed by Mary McPhillip, the daughter of the
house. She was a handsome young woman, with a full figure, plump, with
red cheeks, a firm jaw, auburn hair cropped in the current fashion,
blue eyes that had a “sensible” look in them and a rather large mouth
that was opened wide by her excitement. Every bit of her except her
mouth belonged to an average Irishwoman of the middle class. The mouth
was a product of the slums. Its size and its propensity for disclosing
the state of the mind by exaggerated movement, which is the hallmark
of the slum girl, belied the neat elegance of the rest of the body and
of all the clothes. She was still dressed just as she had arrived from
the office, in a smart navy-blue costume which she had made herself.
The skirt was rather short, in the current fashion, and she stood with
her feet fairly wide apart, in the arrogant posture of a woman of good
family. Her well-shaped calves were covered with thin black silk
stockings. But she had her hands on her hips, unconsciously, as she
stood in front of the indiscriminate crowd that had followed her in
from the parlour, to find out what had caused the disturbance in the
kitchen.
“What’s the row about, father?” she said.
Public-domain text, read in full here on John Shaqi.
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