The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"Harper, Charles G. (Charles George)
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The Ingoldsby Country: Literary Landmarks of the "Ingoldsby Legends"
Harper, Charles G. (Charles George)
Ingoldsby, Thomas, 1788-1845. Ingoldsby legends; Kent (England) -- Description and travel
When the assassins fled from that scene of blood, it was quite dark.
They went as they had come, by the cloisters, shouting that they were
"King's men," and cursing and stumbling over unfamiliar steps. A
servant of the Archdeacon of Sens was sufficiently unfortunate to be
wailing for the cruel death of the Archbishop when they passed, and
foolish enough to be in their way. They fell over him, and, still heady
with that struggle and the lust of blood, gave him in passing a mailed
kick, and so tremendous a sword-thrust that for long afterwards he had
sufficient occasion to lament for himself.
It was something of an anti-climax to their murderous passions that
they should, as they now did, repair to the Archbishop's Palace and
make a burglarious raid upon the gold and silver vessels of the church,
and loot from Becket's stables the magnificent horses he kept. With
this personal plunder, and with a mass of the Archbishop's documents
and papers seized on behalf of the King, they were preparing to
depart when the very unusual circumstance in December of a violent
thunderstorm set a final scene of horror upon that closing day.
The news fell heavily upon the people of Canterbury, who reverenced
Becket far more than did those within the Church who had immediately
surrounded him; and the citizens came rushing like an irresistible
torrent into the Cathedral as soon as they heard of the sacrilegious
deed.
Like the greater number of our cathedrals, this of Canterbury has been
greatly altered since that time. It was into a Norman nave that the
excited populace thronged--a building that must have closely resembled
the still-existing nave of that period at Gloucester, gloomy and dark
at the best of times, but on this December evening a well of infinite
blackness, faintly illuminated by the distant lights twinkling in
the choir and on the high altar. This horror-stricken crowd was only
with great difficulty forced back and at last shut out, and it was
long before the monks returned to the transept where the Archbishop
had fallen before the blows of the four. There his body lay in the
dark, as it had been left, his blood still wet on those cold stones,
as Osbert, the chamberlain, entering with a single light, held out at
arm's length in that cavern of blackness and unimaginable gloom, steps
in it, and, if he be not quite different from other men, shudders and
almost drops his glimmering candle when he finds what awful moisture
that is in which he has been walking. Osbert alone has ventured to seek
his master. Where, then, are the others of his household? In hiding,
like those monks who, now that all is still, venture, like rats, to
come from their hiding-holes in chapel and triforium, or from secret
places contrived for such emergencies in the roof.
Public-domain text, read in full here on John Shaqi.
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