The Ingoldsby Legends; or, Mirth and MarvelsIngoldsby, Thomas
General
The Ingoldsby Legends; or, Mirth and Marvels
Ingoldsby, Thomas
English fiction -- 19th century; English poetry -- 19th century; English wit and humor; Humorous poetry, English
Gladly would I grace my tale with decent horror, and therefore I do
beseech the "gentle reader" to believe, that if all the _succedanea_ to
this mysterious narrative are not in strict keeping, he will ascribe
it only to the disgraceful innovations of modern degeneracy upon the
sober and dignified habits of our ancestors. I can introduce him, it is
true, into an old and high-roofed chamber, its walls covered on three
sides with black oak wainscotting, adorned with carvings of fruit and
flowers long anterior to those of Grinling Gibbons; the fourth side is
clothed with a curious remnant of dingy tapestry, once elucidatory of
some Scriptural history, but of _which_ not even Mrs. Botherby could
determine. Mr. Simpkinson, who had examined it carefully, inclined
to believe the principal figure to be either Bathsheba, or Daniel in
the lions' den; while Tom Ingoldsby decided in favour of the King of
Bashan. All, however, was conjecture, tradition being silent on the
subject.--A lofty arched portal led into, and a little arched portal
led out of, this apartment; they were opposite each other, and each
possessed the security of massy bolts on its interior. The bedstead,
too, was not one of yesterday, but manifestly coeval with days ere
Seddons was, and when a good four-post "article" was deemed worthy
of being a royal bequest. The bed itself, with all the appurtenances
of palliasse, mattresses, etc., was of far later date, and looked
most incongruously comfortable; the casements, too, with their little
diamond-shaped panes and iron binding, had given way to the modern
heterodoxy of the sash-window. Nor was this all that conspired to ruin
the costume, and render the room a meet haunt for such "mixed spirits"
only as could condescend to don at the same time an Elizabethan doublet
and Bond Street inexpressibles.
With their green morocco slippers on a modern fender, in front of
a disgracefully modern grate, sat two young gentlemen, clad in
"shawl-pattern" dressing gowns and black silk stocks, much at variance
with the high cane-backed chairs which supported them. A bunch of
abomination, called a cigar, reeked in the left-hand corner of the
mouth of one, and in the right-hand corner of the mouth of the
other;--an arrangement happily adapted for the escape of the noxious
fumes up the chimney, without that unmerciful "funking" each other,
which a less scientific disposition of the weed would have induced.
A small pembroke table filled up the intervening space between them,
sustaining, at each extremity, an elbow and a glass of toddy;--thus in
"lonely pensive contemplation" were the two worthies occupied, when the
"iron tongue of midnight had tolled twelve."
"Ghost-time's come!" said Ingoldsby, taking from his waistcoat pocket a
watch like a gold half-crown, and consulting it as though he suspected
the turret-clock over the stables of mendacity.
"Hush!" said Charles; "did I not hear a footstep?"
Public-domain text, read in full here on John Shaqi.
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