"By memory, Mildred. It will come back presently. Think of that, and
you will be less afraid to come with us. If that was able to comfort
the world formerly when the world was full of life and joy and needed
so little comfort, what should it not do for you now, when the world
is so dull and dismal, and the Awful Present is so long that it seems
never to have had a beginning, just as it promises never to have an
end. Courage, Cousin Mildred.
"And now," he went on, after a pause, "for my plan. My ship is bound
for any port to which the College may despatch her. She must sail in
about four or five weeks. I shall take you both on board. Christine
will be my wife--you shall be our companion. Perhaps one or two more
may go with us. We shall take certain things that we shall want. I can
procure all these without the least suspicion, and we shall sail to an
island of which I know, where the air is always warm and the soil is
fruitful. There the sailors shall land us and shall sail away, unless
they please to join us. And there we will live out our allotted lives,
without asking anything of the College. The revival of that lost part
of your memory, Mildred, will serve you in place of what they could
have given you. You agree? Well, that is settled, then. Let us go back."
* * * * *
But, as you shall see, this plan was never carried out.
When all went away that evening, Mildred remained behind.
"Christine," she said, "I have something to tell you. Take me
somewhere--to some dark place--where we can whisper."
One might as well have talked at the top of his voice, just where they
were, for any chance of being heard; but guilt made the woman tremble.
"Come into the Picture Gallery," said Christine, leading the way. "No
one can hear what we say there. My dear, in the old days when people
were going to conspire they always began by going to dark galleries,
vaults, and secret places. This is quite delightful. I feel like a
conspirator."
"Don't laugh at me, dear," said Mildred; "for, indeed, when you
have heard what I have to say, you will feel very much more like a
conspirator."
The room was in darkness, but for the moonlight which poured in through
the windows of one side, and made queer work with the pictures on which
it fell. At the end the moonlight shone through the door, hardly ever
used, which led from the Gallery into the Garden of the College beyond.
"What is that?" Mildred caught Christine by the hand.
"It is the door leading into the College Gardens. How came it open?"
"Have you a key?"
"I suppose there is a key on the old rusty bunch hanging up in the
Museum, but I do not know--I have never tried the keys. Who could have
opened it?"
Christine walked down the Gallery hastily, Mildred following. The door
was standing wide open.
"Who has done this?" asked Christine, again. "I cannot tell who could
have opened the door, or why. It has never been opened before."
Public-domain text, read in full here on John Shaqi.
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