A few evenings after the completion of the design I went to see a friend who I knew was intimate with the Hon. Schuyler Colfax and Hon. Owen Lovejoy, through whom I hoped to obtain Mr. Lincoln’s assent to my plan. I revealed to him my purpose, and asked his assistance in carrying it into effect. During the following week he went to Washington, and in company with Mr. Colfax called upon the President, and laid before him my project. He kindly listened to the details, and then said: “In short, if I understand you, you wish me to consent to sit to this artist for the picture?” My friends acknowledged this to be the object of their errand. Mr. Lincoln at once, with his accustomed kindness, promised his coöperation. The last day of the year the Hon. Mr. Lovejoy, whom I had never met, but who had become warmly interested in the execution of the work, being in New York, called at my studio with the wife of my friend, who had been my earnest advocate. At the close of the interview he remarked, in his quaint way, taking me by the hand, “In the words of Scripture, my good friend, I can say now I believe, not on account of the saying of the woman, but because I have seen for myself.” V. Impracticable as my scheme had at first seemed, the way was thus opened for its execution. When fairly committed to the purpose, however, the want of means and the magnitude of the undertaking almost disheartened me. My original plan embraced a canvas sufficiently large for a life-size group of the President and entire Cabinet; to paint such a picture would consume many months, perhaps years. Enthusiasm alone would never accomplish the work. The few friends to whom I should have felt at liberty to apply for help were not wealthy. Who outside of these could be persuaded that a work of the character and proportions contemplated, undertaken by an artist of no experience in historical studies, would not end in utter failure? I had left my home at the usual hour one morning, pondering the difficulty which, like Bunyan’s lions, seemed now to block the way. As one alternative after another presented itself to my mind and was rejected, the prospect appeared less and less hopeful. I at length found myself in Broadway at the foot of the stairs leading up to my studio. A gentleman at this moment attracted my attention, standing with his back towards me, looking at some pictures exposed in the window of the shop below. Detecting, as I thought, something familiar in his air and manner, I waited until he turned his face, and then found I was not mistaken; it was an old acquaintance who five years before lived near me in Brooklyn, engaged in a similar struggle for a livelihood with myself, though his profession was law instead of art.