The instinct of workmanship, and the state of industrial arts — John Shaqi
The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
Characteristic of the race is a degree of vagueness or generality,
an absence of automatically determinate response, a lack of concrete
eventuality as it might be called, in the common run of human
instincts. This vague and shifty character of the instincts, or
perhaps rather of the habitual response to their incitement, is to
be taken in connection with the breadth and variability of their
physiological ground as spoken of above. For the long-term success
of the race it is manifestly of the highest value, since it leaves a
wide and facile margin of experimentation, habituation, invention and
accommodation open to the sense of workmanship. At the same time and by
the same circumstance the scope and range of conventionalisation and
sophistication are similarly flexible, wide and consequential. No doubt
the several racial stocks differ very appreciably in this respect.
The complement of instinctive dispositions, comprising under that term
both the native propensity and its appropriate sentiment, makes up what
would be called the “spiritual nature” of man--often spoken of more
simply as “human nature.” Without allowing it to imply anything like
a dualism or dichotomy between material and immaterial phenomena, the
term “spiritual” may conveniently be so used in its colloquial sense.
So employed it commits the discussion to no attitude on the question
of man’s single or dual constitution, but simply uses the conventional
expression to designate that complement of functions which it has by
current usage been employed to designate.
Public-domain text, read in full here on John Shaqi.
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