The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
The relation of cause and effect, as commonly conceived by the vulgar
and as commonly employed by the scientist, is a putative relation
between phenomena which can not be said to stand in any observed
relation of efficiency to one another. Efficiency, as understood in
this connection, is not a fact of observation, but of imputation;
and efficiency, performance of work, is the substance of the causal
relation as that concept is universally employed in modern science.
It may well be said that this recourse to the concept of efficient
cause--a metaphysical postulate touching a putative fact--is the
distinguishing characteristic of modern science as contrasted with any
other scheme of systematised knowledge.[130]
Not only does the development of modern science rest on this postulate
of causality, but the concept of causation which so characterises the
modern sciences is of a particular and restricted kind. At least on
the face of things it seems unquestionable that the peculiar temper
and limitations of this modern European concept of causation are to
be credited to the habits wrought out by a life under the handicraft
system. It has been noted already that the ubiquitous prevalence
of trade and of the price system in modern times has given to the
modern apprehension of facts a certain objectivity, a degree of
impersonality, which is at least a characteristic of modern knowledge,
whether scientific or commonplace, even if it cannot be said to be
a unique distinction of modern science as contrasted with other
deliberate systems of knowledge. But it is the unique distinction
of modern science, particularly as it comes into view in its early
phases, that its concept of causality is drawn not simply in terms
of workmanship but specifically in terms of craftsmanship. There
need probably be no argument spent on the thesis that the sense of
causality is, by and large, a particular manifestation of the sense
of workmanship. But the sense of workmanship in its native scope
apparently covers something more than the manual efficiency of the
skilled workman simply. And in other times and under other cultural
(technological) circumstances the sense of workmanship has apparently
given rise to concepts of causation of a wider, or at least of a
looser, scope. In the naïve rating of savage peoples workmanship
appears to cover, perhaps uncertainly, notions of generation, nurture,
tendance, and the like, without any sharp line being drawn between
these various lines of effective endeavour on the one side and manual
efficiency on the other. And so, on the other hand, in the cosmological
knowledge (or quasi-knowledge) current among these peoples explanation
in terms of generation and growth are accepted as final along with
explanations in terms of what the modern man would conceive to be the
stricter sense of cause and effect. Even in the speculations of the
sages of classical antiquity, and again in the cosmologies and natural
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