The instinct of workmanship, and the state of industrial arts — John Shaqi
The instinct of workmanship, and the state of industrial artsVeblen, Thorstein
Philosophy
The instinct of workmanship, and the state of industrial arts
Veblen, Thorstein
Industrial arts -- History; Industries -- History; Technology -- History; Workmanship -- History
This imputation of bias and initiative has doubtless lost ground
among civilised communities, as contrasted with the matter-of-fact
apprehension of things, so that where it once was the main body of
knowledge it now is believed to live and move only within that margin
of things not yet overtaken by matter-of-fact information,--at least
so it is held in the vainglorious scepticism of the Western culture.
Meantime it is to be noted that the proclivity to impute a workmanlike
bias to external facts has not been lost, nor has it become inoperative
even among the adepts of Occidental scepticism. On the one hand it
still enables the modern scientist to generalise his observations in
terms of causation,[31] and on the other hand it has preserved the life
of God the Father unto this day. It is as the creative workman, the
Great Artificer, that he has taken his last stand against the powers of
spiritual twilight.
Out of the simpler workday familiarity with the raw materials and
processes employed in industry, in the lower cultures, there emerges
no system of knowledge avowed as such; although in all known instances
of such lower cultures the industrial arts have taken on a systematic
character, such as often to give rise to definite, extensive and
elaborate technological processes as well as to manual and other
technological training; both of which will necessarily involve
something like an elementary theory of mechanics systematised on
grounds of matter-of-fact, as well as a practical routine of empirical
ways and means. In the lower cultures the growth of this body of opaque
facts and of its systematic coherence is simply the habitual growth
of technological procedure. Considered as a knowledge of things it is
prosy and unattractive; it does not greatly appeal to men’s curiosity,
being scarcely interesting in itself, but only for the use to be
made of it. Its facts are not lighted up with that spiritual fire of
pragmatic initiative and propensity which animates the same phenomena
when seen in the light of an imputed workmanlike behaviour and so
construed in terms of conduct. On the other hand, when the phenomena
are interpreted anthropomorphically they are indued with a “human
interest,” such as will draw the attention of all men in all ages, as
witness the worldwide penchant for myth-making.
Public-domain text, read in full here on John Shaqi.
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