The Interdependence of LiteratureCurtis, Georgina Pell
General
The Interdependence of Literature
Curtis, Georgina Pell
Comparative literature
In the present day the great College of St. Etienne in Jerusalem,
founded by the Dominicans expressly for the study of the Scriptures,
carries on a never ending and widely extended perusal of the subject.
Parties of students are taken over the Holy Places to study the
inscriptions and evidences of Christianity, and the most learned and
brilliant members of the Order are engaged in research and study that
fits them to combat the errors of the Higher Criticism. Their work,
which is of a very superior order, has attracted attention among
scholars of every country in Europe.
In the ancient development of the world there came a time when there
was danger of truth being corrupted and mingled with fable among those
who did not follow the guidance of God, as did Abraham and the
patriarchs; then the great lawgiver, Moses, was given the divine
commission to make a written record of the creation of the world and of
man and to transmit it to later ages; and because he was thus commanded
and inspired by God, his literature represents the most perfect and
trustworthy expression of the primitive revelations. From the very
beginning, therefore, we trace this interdependence of literature.
Moses, authorized by God, turns to all that is best in the older
Babylonian, Egyptian and Indic literature, and uses it to regenerate
and uplift the Hebrew race, so that we see the things contained in the
Bible remained the same truths that God had been teaching from the
beginning of time. The older Egyptian and Babylonian literature became
lost to the world for thousands of years until in the nineteenth
century modern research in the Pyramids and elsewhere, brought it to
light; but the Hebrew literature was passed down to the Christian era,
and thence to our own times, intact. It excels in beauty,
comprehensiveness, and a true religious spirit, any other writing prior
to the advent of Christ. Its poetry, which ranges from the most extreme
simplicity and clearness, to the loftiest majesty of expression,
depicts the pastoral life of the Patriarchs, the marvellous history of
the Hebrew nation, the beautiful scenery in which they lived and moved,
the stately ceremonial of their liturgy, and the promise of a Messiah.
Its chief strength and charm is that it personifies inanimate objects,
as in the sixty-fourth Psalm, where David says:
"The beautiful places of the wilderness shall grow fat; and the hills
shall be girded about with joy. The rams of the flock are clothed, and
the vales shall abound with corn they shall shout, yea they shall sing
a hymn."
And again in the seventeenth Psalm, he says:
"He bowed the Heavens and came down ... and He flew upon the wings of
the winds ... He made darkness His covert, His pavilion round about
Him: dark waters in the clouds of the air."
Public-domain text, read in full here on John Shaqi.
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