appropriated to the formation of a "Permanent Museum of the Art and Industry of all Nations;" all this is too well known to call for further comment. The first impression created by the interior aspect of the Crystal Palace, is one of admiration. Magnificent indeed is the lofty dome of the transept, arching over glorious old trees, oriental shrubbery, statuary, fountains, and masses of gorgeous flowers; the brilliant perspective of the central aisle, with its double lines of galleries, stretching away on either hand, and traversed by countless avenues, every point of the vast expanse presenting its own special subject of interest, and challenging the beholder's gaze. But so extensive and various is this great collection, so striking are the contrasts of form, color, and use, presented by the endless succession of objects that meet the eye in every direction, that the sentiment of admiration soon gives place to a feeling of hopeless bewilderment. A careful study of maps and catalogues, and many visits, spent in making a general survey of the various departments of the building, are indispensable preliminaries to a more intimate acquaintance with the admirable objects contained in each. But the topographic and distributive arrangements of the building understood, the chaos of one's impressions becomes gradually into order; and the work of examination goes on with more success. The transept and the western wing are occupied by Great Britain and her colonial possessions; the eastern wing is appropriated to foreign nations, the countries lying nearest the tropics being ranged immediately round the transept. Objects of art and artistical industry occupy the central portions of the building; raw materials, machinery, hardware, and carriages being placed nearest to the walls. The objects admitted to the exhibition come under four general categories: raw materials, machinery, manufactures, and fine arts, and are divided into thirty classes, an arrangement which greatly facilitates the business of investigation and comparison.