The International Monthly, Volume 3, No. 4, July, 1851 — John Shaqi
The International Monthly, Volume 3, No. 4, July, 1851Various
History
The International Monthly, Volume 3, No. 4, July, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
Many of the Oriental nations are very fully represented, especially
India; it would be difficult to cite any department of Indian life and
industry not illustrated in the ample collections of her natural and
manufactured products, gathered together with the utmost care. China,
Tunis, Persia, and the islands of the Indian archipelago, are also here
in great force, and make a very brilliant display. The exquisite texture
of many of their woven fabrics, the richness of color and effect, the
incredible _fineness_ and delicacy of workmanship displayed in many of
their manufactured articles, prepared with the aid only of the rudest
tools, often surpass all that the enlightened skill of European artisans
can accomplish, and may furnish western industry with many valuable
models and precious suggestions for future use. But the beauty of
eastern productions lies solely in perfection of detail; there is
nothing large, generous, or comprehensive in barbaric industry. All that
its resources can accomplish is lavished on objects of parade and
luxury, often absolutely useless, and always destined for the privileged
few; the element of ordinary existence, all that goes to make up the
daily life of the masses, is coarse and rudimentary. These shawls,
which, for fineness of texture, richness of color, and beauty of design,
leave the choicest productions of European looms at an immeasurable
distance; these muslins and gauzes, finer than gossamer, yet covered
with exquisite traceries in gold and silver thread, fabrics that seem
too etherially light to be worn by others than the ladies of Titania's
court; these silks and satins, and damasks of admirable texture, and of
richest dyes; these magnificent garments, stiff gold embroidery, with
precious stones and with tinsel whose glancing hues produce an effect
quite as brilliant as that of the jewels; how strangely they contrast,
these splendid things intended for the few, with the coarseness of the
fabrics destined for the ordinary use of the many. Compare these
magnificent housings and accoutrements, these saddles of velvet, stiff
with gold, these reins, and swords and daggers, full of pearls and
jewels, with those clumsy implements of labor, and those uncouth, heavy
utensils of domestic life. Compare the elaborate workmanship of screens,
cabinets, vases, lamps, and tables, with the primitive candles and
suspicious-looking soaps; the magnificence of carriages and palanquins,
luxuriously cushioned, and hung with velvet and gold, in which lazy,
bloated grandees are lounging, laden with jewels and finery, with the
naked, emaciated bearers, human brutes that replace beasts of burden,
and contrast, unfavorably, with average European horses!
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