The International Monthly, Volume 4, No. 2, September, 1851 — John Shaqi
The International Monthly, Volume 4, No. 2, September, 1851Various
History
The International Monthly, Volume 4, No. 2, September, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
"A few years since, pianos were generally imported from
Germany, England, and France, but it was soon found that
their construction and material were by no means adapted to
withstand the changes of the American climate; and it was
also found that the enormous profit cleared by the
importers, might quite as well be retained in this country,
and there are consequently, at present, in Boston, New-York,
Philadelphia, and even Baltimore, excellent and extensive
'piano forte manufactories,' in which every portion of these
instruments is constructed. For this purpose the best
varieties of wood known are used, such as mahogany and
rosewood, which, however, in America are obtainable at cheap
rates. The cases are of the most solid construction
possible, and the legs massive, (by which especially the
firmest duration is insured) all constructed of the
above-mentioned material, which is quickly and accurately
cut into the requisite form by a machine.... By means of
these and other improvements, but particularly by means of
the material, are the American pianos not only far more
durable than the imported, but also infinitely less subject
to loss of tone.
"The American pianos are invariably of a table form, in
order to adapt them to small rooms. Their tone is sweet and
rich, and has been pronounced clear, full and pleasing, by
the best European performers. The pianos of Stottart
(Stoddard) and Nunns, in New-York, of Laud and Mayer, in
Philadelphia, and especially of Chickering, in Boston, enjoy
a high reputation. This latter enterprising individual
spares no expense to secure the best improvements, and apply
them to his instruments. Other excellent manufactories also
abound, among which are many German proprietors, who,
however, all follow the American style of construction.
"Previous to the year 1847, about sixty-four patents for
improvements in pianos were taken out.... The average price
of a splendid 'Chickering,' of 7-1/2 octaves, is from $350
to $400. I have purchased of Stoddard in New-York an
excellent and handsome instrument for $250; since which time
(A. D. 1848) the price for the same has sunk fifty dollars.
Instruments of a lighter construction may be bought for one
hundred and fifty dollars; nor will it be long ere the best
pianos may be had for a price ranging from $180 to $200.
There are in America men whose exclusive business it is to
tune pianos, for which they generally receive one dollar....
Public-domain text, read in full here on John Shaqi.
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