The International Monthly, Volume 4, No. 3, October, 1851Various
History
The International Monthly, Volume 4, No. 3, October, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
The little chapels in the glass districts are also beautifully decorated
with colored glass, the rich ruby lamps suspended before the altars, with
their ever-burning lamps, the clusters of prisms in the great centre
chandelier, reflecting the ruby lights, and gold, and flowers, from the
altar, are always--independent of any other feeling--subjects worthy the
contemplation of the artist. All the vases for flowers which richly
decorate the country churches are of native manufacture--ruby, emerald,
topaz, chrysophras, turquoise, and crystal chalices, full of the rarest of
those flowers which form so much the delight and pastime of the inhabitants
to cultivate, shed their delicious perfume through their chapels, mingled
with the incense which, renewed daily, at morning and evening service,
fills the buildings with perpetual fragrance. Another great resource for
the arts in this country, which is offered by the Church, is the sculpture
of wood. I have often been surprised and confounded by seeing an exquisite
Virgin, or Crucifixion, or figure of a patron or local saint, in some far
out of the way chapel in the hills, or in some lonely shrine, and even in
the niches on the exterior of these buildings: but on inquiry I found that
these were often the works of the first artists! the foreman of some native
Canova, or Max, whose health, impaired by inhaling the fine dust of the
marble, was not obliged to work on till death put an end to his talent;
but, before the disease had become incurable, forsook _marble_ for _oak_,
and reproduced in that material all the beauties of the original; and under
the fostering wing of the Church recovered his health, and filled his
native village church with works of the highest order. It is the same with
artists, natives of larger towns; I do not speak of such works as are to be
seen in Antwerp, and other cities of note--wonderful productions of rare
art in carving, such as the figures which stand on each side of the
numerous confessionals in the north transept of the glorious cathedral of
the former, nearly as large as life, all emblematical of repentance and
forgiveness, and other attributes of contrition and mercy; with many others
of nearly, if not quite, the same merit, in the various churches with which
this town abounds. These are the works of great masters whose celebrity is
European; but to find in the wild and unknown districts of these mountains
such works of art--to know there is a sure and safe means for the suffering
artist to continue his work and regain his health, while he fills his
country with fine objects of art, carved in wood, and which could never be
obtained in any other way, is a blessed encouragement to talent, and a
field for the arts which can only be appreciated by those who are relieved
by it, or those who are dying for want of its protecting hand. Mr. Steel,
in Edinburgh, the last time I had the happiness of visiting him in his
Public-domain text, read in full here on John Shaqi.
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