The International Monthly, Volume 4, No. 3, October, 1851 — John Shaqi
The International Monthly, Volume 4, No. 3, October, 1851Various
History
The International Monthly, Volume 4, No. 3, October, 1851
Various
Art, Modern -- 19th century -- Periodicals; Literature, Modern -- 19th century -- Periodicals; Science -- History -- Periodicals
studio, when he was engaged on that exquisite work the Scott statue, and
which has since been placed within the monument erected to that illustrious
man, told me he had, then, lately lost one or two of his best men from
pulmonary complaint, brought on by inhaling the marble dust; that he had
tried every means to counteract its effects, by providing the men with
veils and masks, but to no purpose. His best man then at work upon this
national masterpiece, was fast failing beneath the effects of the same
cause, and is now probably laid with all his talent in the dust, lost to
his country in the prime of life, when _here_ such a man would soon be
restored to health, while he reproduced his works in wood, and maintained
himself and family in a comfortable and illustrious independence, enriching
his country, and carrying the arts into the remote valleys of his native
home.
Thus far we make use of a letter to the Art Journal. In the Great
Exhibition we perceive that the glass of Bohemia has attracted much
attention, not more for the grace and beauty of its forms than for the
recent improvements which have been made in its colors. The principal agent
for the sale of Bohemian Glass in the United States is Mr. Collamore, of
447 Broadway, in whose extensive establishment may be seen in particular
all the varieties of those vases, and other mantel ornaments, of Bohemian
Glass, which, to a great extent, are taking the place of porcelain fabrics,
of the same description, in the more fashionably furnished houses. One of
these vases we copy here from the Art Journal Catalogue of the Hyde Park
Exhibition; others are of different forms, and of colors equalled in
richness only in other manufactures of the same country.
[Illustration]
Of other industrial pursuits in this class we shall give accounts
hereafter.
FOOTNOTES:
[1] The moulds are made of beech-wood.
[2] These earthen floors are not, as might be supposed from their name,
dirty and untidy; they are made with wet clay, which, when dry, becomes
quite hard, and can be kept as clean as brick or stone.
Public-domain text, read in full here on John Shaqi.
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