The Intoxicated Ghost, and other storiesBates, Arlo
Science
The Intoxicated Ghost, and other stories
Bates, Arlo
Short stories, American; United States -- Social life and customs -- Fiction
"_Post hoc sed non ergo propter hoc_," he said to himself, in the Latin
of his school debating-society days; but secretly he believed that in
this case the effect was no less "because" than "after."
On the morning after Celia had talked with her betrothed about the
picture, Ralph gave the artist a sitting. The young man seemed so
preoccupied that Tom rallied him a little on his absence of mind,
inquiring if Thatcher wished his portrait to have an air of deep
abstraction.
"I was not thinking of that confounded old picture at all," the young
man responded, smiling. "I was merely--well, I do not know exactly how
to tell you what I was doing. Do you ever feel as if the reflective part
of you, whatever that may be, had gone into its office for private
meditation and shut your consciousness outside?"
"Yes," Tom answered; "and I always comfort myself for being excluded
by supposing that at least something of real importance must be under
consideration or it would n't be worth the trouble to shut the doors
so carefully."
"Do you?" returned the sitter. "I had a jolly old clerical uncle who
used to lock the door of his study and pretend to be writing the most
awe-inspiring sermons, when he really was only having a well-fed nap.
I am afraid," he went on, with a sigh and a change of manner, "that
there is little of real importance has ever gone on in my mind. Do you
know, I am half inclined to hate you."
The artist looked up in surprise.
"Hate me?" he echoed. "Why should you hate me?"
"Because you are everything that I am not; because you succeed in
everything and I never did anything in my life; because at this
poker-table of life you win and I lose."
A strange tinge of bitterness showed itself in Ralph's voice, and
puzzled Claymore. It was not like Thatcher to be introspective, or to
lament lost possibilities. The artist rubbed his brush on his palette
with a thoughtful air.
"Even if that were so," he said, "I don't see exactly why you should
vent your disappointment on me. I'm hardly to blame, am I? But of
course what you say is nonsense anyway."
"Nonsense? It is n't nonsense. I've done nothing. I know nothing. I'm
good for nothing; and the worst of it is that the girl I've wanted all
my life realizes it just as well as I do. She is n't a fool; and of
course she does n't care a rap about me."
Public-domain text, read in full here on John Shaqi.
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