The Intoxicated Ghost, and other stories — John Shaqi
The Intoxicated Ghost, and other storiesBates, Arlo
Science
The Intoxicated Ghost, and other stories
Bates, Arlo
Short stories, American; United States -- Social life and customs -- Fiction
The confession was so frankly boyish that Claymore had a half-impulse to
smile, but the feeling in it was too evidently genuine to be ignored.
One thing at least was clear: Ralph was at last beginning to be
dissatisfied with his idle, purposeless life. He had come to the
enlightenment of seeing himself as he might look to the eyes of the
woman he cared for. The reflection crossed Claymore's mind that some
disappointment in love might have brought about whatever change he had
observed in his sitter, and that any influence which he had ascribed
to the portrait had in reality come from this. The thought struck him
with a ludicrous sense of having befooled himself. It was as if some
gorgeous palace of fancy, carefully built up and elaborated, had come
tumbling in ruins about his head. He made a gesture, half comic, half
deprecatory, and laid down his palette.
"The light has changed," he said. "I can't paint any more to-day."
III
Claymore was intensely imaginative, and he possessed all the sanguine
disposition of the artistic temperament, the power of giving himself up
to a dream so that it for the time being became real. Matters which the
reason will without hesitation allow to be the lightest bubbles of fancy
are to such a disposition almost as veracious fact; and often the life
of an imaginative man is shaped by what to cold judgment is an untenable
hypothesis. The artist had not in the least been conscious how strong a
hold the idea of awakening Ralph Thatcher had taken upon his mind, until
the doubt presented itself whether the portrait had in reality possessed
any influence whatever. He was not without a sense of humor, and he
smiled inwardly at the seriousness with which he regarded the matter. He
reasoned with himself, half petulantly, half humorously; sometimes
taking the ground that his theory had been merely a fantastic absurdity,
and again holding doggedly to the belief that it was founded upon some
fragment at least of vital truth. He recalled vaguely a good many scraps
of modern beliefs in the power of suggestion; then he came back to the
reflection that if Ralph was in love, no suggestion was needed to cause
a mental revolution.
Public-domain text, read in full here on John Shaqi.
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