When the design is finished, the stone must be very dry that it may take
color well. But it must not be warmed, as this would incline it to take
smut. A color consisting of thin varnish, a little tallow, and lampblack
is now rubbed swiftly into all the depressions, and immediately wiped
away again with a woolen rag wetted with gum solution. This removes the
original red or black coating also.
Thus the hitherto colored stone becomes perfectly white, while the
engraved design, which has appeared white, is now black. The first
impression that the eye will gain will be that now the design appears
much finer than it did before. That is because every white line on a
dark background looks wider than a black line of the same thickness on a
white background. Therefore, while engraving, the artist should aim to
make his lines a trifle bigger than his eye would suggest.
In printing the stone the usual precautions required in every form of
lithographic printing must be observed. Beyond that, the matter of chief
importance is the proper composition of the printing-color.
Stone plates made in this way can be inked-in (1) by rubbing-in the
color and light wiping, and (2) by harder wiping, and (3) by the
ink-roller.
For the first method, a color can be made of thin varnish and burned
lampblack, the latter being present in fairly large quantity but very
finely rubbed-down. Into this color is mixed a quantity, equivalent to
one half the mass, of gum solution that is almost as thick as the color
itself. Everything must be mixed perfectly. If the solution is too
watery, it is not easy to mix it.
Three clean rags of cotton or linen are needed for inking. The first is
used to wet the stone and to clean it again in the end. The second is
colored with a small quantity of printing-color and rubbed in by
thorough wiping to and fro. The third rag is used to clean away any
surplus that may adhere. Then the first clean rag is used to cleanse the
stone thoroughly.
All three rags must be wetted with gum solution, and the first and third
must be washed several times during the day.
The stone plate is harder to clean at first than after some fifty
impressions have been made. Often there will remain little specks of
color on the prepared places, which are easy enough to wipe away but are
inclined to reappear. To remedy this it may be necessary to use more
clean rags in the beginning or more gum solution. If the stone has been
polished very well in grinding, this trouble will not be very noticeable
if at all. Under any circumstances, it will disappear gradually during
the printing, so that at last it will be possible to clean the surface
with the very same rag that lays the color on and is permeated with ink.
In the second method, the wiping is harder in order to take more color
away from the shallower lines, so that they will be pale compared with
the deep ones which then will appear very black and strong.
Public-domain text, read in full here on John Shaqi.
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