"We'd simply mark 'Not Good' and return to the author. That's what
happens to him now, so no objection could be raised to that. But there's
still another side to this matter," said the Idiot. "Publishers would
be quite as anxious to help it along as the poets. Dealing through us,
they would be spared the necessity of interviewing poets, which I am
informed is always painful because of the necessity which publishers
labor under to give the poet to understand that they are in the business
for profit, not for pleasure or mere love of sinking money in a
magazine. So the publishers would keep a standing account of hard cash
in our bank. Say a magazine used one hundred dollars' worth of verse in
a month. The publisher at the beginning of the year would deposit twelve
hundred dollars with us, and throughout the year would draw out sonnets,
ballads, or pastels-in-metre just as he needed them. The checks would
read something like this: 'The Poets' Clearing-house Association of the
City of New York will pay to John Bluepencil, Editor, or Order, Ten
Sonnets. (Signed) Blank Brothers & Co.' Or perhaps we'd receive a
notice from a Southern publisher to this effect: 'Have drawn on you at
sight for eight quatrains and a triolet.' Now, when you consider how
many publishers there are who would always keep a cash balance in the
treasury, you begin to get some notion as to how we could meet our
running expenses and pay our quarterly dividends to our stockholders
anyhow; and as for future dividends, I believe our loan department would
net us a sufficient amount to make the stock gilt-edged."
"You would have a loan department, eh?" said Mr. Pedagog.
"That would be popular," said the Poet; "but there again I dispute the
profit. You could find plenty of poets who would borrow your funds, but
I doubt the security of the loans."
"All of your objections are based on misconceptions," said the Idiot.
"The loan department would not lend money. It would lend poems for a
consideration to those who are short and who need them to fulfil their
obligations."
"Who on earth would want to borrow a poem, I'd like to know?" said the
Bibliomaniac.
Public-domain text, read in full here on John Shaqi.
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