The Irish Penny Journal, Vol. 1 No. 44, May 1, 1841Various
History
The Irish Penny Journal, Vol. 1 No. 44, May 1, 1841
Various
Ireland -- Periodicals
Táid gadaiḋniġe na háite seo ag eirgeaḋ go ṁór
Fa ċnotaḋa is fa hairbag gan traċt as bhúclaḋa brog
Da mairḟeaḋ damsa an iar-uṁaill do ḋeanfuinn díobh cianach
Muna mbeiḋ gur ṫagair dia ḋam bheiṫ a gciantaibh fa bhron.
Dá mbeiḋ Padruig Lochlainn ma iarla air iar-uṁaill go foil
Brian Dubh a chliaṁain na ṫighearna ar ḋuṁach-ṁoir
Aoḋ dubh mac Griada ’na choirnel a gCliara
Is ann niu bheiḋ mo ṫriallsa go condae Mhaigheo.
* * * * *
CAMEO-CUTTING.--This art is of great antiquity, and is pursued with most
success in Rome, where there are several very eminent artists now living.
Cameos are of two descriptions, those cut in stone, or _pietra dura_,
and those cut in shell. Of the first, the value depends on the stone, as
well as in the excellence of the work. The stones most prized now are the
oriental onyx and the sardonyx, the former black and white in parallel
layers, the latter cornelian, brown and white; and when stones of four
or five layers of distinct shades or colours can be procured, the value
is proportionably raised, provided always that the layers be so thin as
to be manageable in cutting the cameo so as to make the various parts
harmonize. For example, in a head of Minerva, if well wrought out of a
stone of four shades, the ground should be dark grey, the face light, the
bust and helmet black, and the crest over the helmet brownish or grey.
Next to such varieties of shades and layers, those stones are valuable in
which two layers occur of black and white of regular breadth. Except on
such oriental stones no good artist will now bestow his time; but, till
the beginning of this century, less attention was bestowed on materials,
so that beautiful middle-age and modern cameos may be found on German
agates, whose colours are generally only two shades of grey, or a cream
and a milk-white, and these not unfrequently cloudy. The best artist in
Rome in _pietra dura_ is the Signor Girometti, who has executed eight
cameos of various sizes, from 1½ to 3½ inches in diameter, on picked
stones of several layers, the subjects being from the antique. These form
a set of specimens, for which he asks £3,000 sterling. A single cameo of
good brooch size, and of two colours, costs £22. Portraits in stone by
those excellent artists Diez and Saulini may be had for £10. These cameos
are all wrought by a lathe with pointed instruments of steel, and by
means of diamond dust.
Public-domain text, read in full here on John Shaqi.
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