The Irrational Knot: Being the Second Novel of His Nonage — John Shaqi
The Irrational Knot: Being the Second Novel of His NonageShaw, Bernard
General
The Irrational Knot: Being the Second Novel of His Nonage
Shaw, Bernard
Marriage -- Fiction; Social classes -- Fiction
Conolly, on arriving at the Wandsworth Town Hall, was directed to a
committee room, which served as green-room on this occasion. He was
greeted by a clean shaven young clergyman who protested that he was
glad to see him there, but did not offer his hand. Conolly thanked him
briefly, and went without further ceremony to the table, and was about
to place his hat and overcoat on a heap of similar garments, when,
observing that there were some hooks along the wall, he immediately
crossed over and hung up his things on them, thereby producing an
underbred effect of being more prudent and observant than the rest.
Then he looked at his program, and calculated how soon his turn to sing
would come. Then he unrolled his music, and placed two copies of Le
Vallon ready to his hand upon the table. Having made these arrangements
with a self-possession that quite disconcerted the clergyman, he turned
to examine the rest of the company.
His first glance was arrested by the beauty of a young lady with light
brown hair and gentle grey eyes, who sat near the fire. Beside her, on
a lower chair, was a small, lean, and very restless young woman with
keen dark eyes staring defiantly from a worn face. These two were
attended by a jovial young gentleman with curly auburn hair, who was
twanging a banjo, and occasionally provoking an exclamation of
annoyance from the restless girl by requesting her opinion of his
progress in tuning the instrument. Near them stood a tall man, dark and
handsome. He seemed unused to his present circumstances, and
contemptuous, not of the company nor the object for which they were
assembled, but in the abstract, as if habitual contempt were part of
his nature.
The clergyman, who had just conducted to the platform an elderly
professor in a shabby frock coat, followed by three well-washed
children, each of whom carried a concertina, now returned and sat down
beside a middle-aged lady, who made herself conspicuous by using a gold
framed eyeglass so as to convey an impression that she was an
exceedingly keen observer.
“It is fortunate that the evening is so fine,” said the clergyman to
her.
“Yes, is it not, Mr. Lind?”
“My throat is always affected by bad weather, Mrs. Leith Fairfax. I
shall be so handicapped by the inevitable comparison of my elocution
with yours, that I am glad the weather is favorable to me, though the
comparison is not.”
“No,” said Mrs. Fairfax, with decision. “I am not in the least an
orator. I can repeat a poem: that is all. Oh! I hope I have not broken
my glasses.” They had slipped from her nose to the floor. Conolly
picked them up and straightened them with one turn of his fingers.
“No harm done, madam,” said he, with a certain elocutionary
correctness, and rather in the strong voice of the workshop than the
subdued one of the drawing-room, handing the glasses to her
ceremoniously as he spoke.
“Thank you. You are very kind, very kind indeed.”
Conolly bowed, and turned again toward the other group.
Public-domain text, read in full here on John Shaqi.
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