The Irrational Knot: Being the Second Novel of His Nonage — John Shaqi
The Irrational Knot: Being the Second Novel of His NonageShaw, Bernard
General
The Irrational Knot: Being the Second Novel of His Nonage
Shaw, Bernard
Marriage -- Fiction; Social classes -- Fiction
“Who is that?” whispered Mrs. Fairfax to the clergyman.
“Some young man who attracted the attention of the Countess by his
singing. He is only a workman.”
“Indeed! Where did she hear him sing?”
“In her son’s laboratory, I believe. He came there to put up some
electrical machinery, and sang into a telephone for their amusement.
You know how fond Lord Jasper is of mechanics. Jasper declares that he
is a genius as an electrician. Indeed it was he, rather than the
Countess, who thought of getting him to sing for us.”
“How very interesting! I saw that he was clever when he spoke to me.
There is so much in trifles—in byplay, Mr. Lind. Now, his manner of
picking up my glass had his entire history in it. You will also see it
in the solid development of his head. That young man deserves to be
encouraged.”
“You are very generous, Mrs. Leith Fairfax. It would not be well to
encourage him too much, however. You must recollect that he is not used
to society. Injudicious encouragement might perhaps lead him to forget
his real place in it.”
“I do not agree with you, Mr. Lind. You do not read human nature as I
do. You know that I am an expert. I see men as he sees a telegraph
instrument, quite uninfluenced by personal feeling.”
“True, Mrs. Leith Fairfax. But the heart is deceitful above all things
and des—at least I should say—er. That is, you will admit that the
finest perception may err in its estimate of the inscrutable work of
the Almighty.”
“Doubtless. But really, Mr. Lind, human beings are _so_ shallow! I
assure you there is nothing at all inscrutable about them to a trained
analyst of character. It may be a gift, perhaps; but people’s minds are
to me only little machines made up of superficial motives.”
“I say,” said the young gentleman with the banjo, interrupting them:
“have you got a copy of ‘Rose softly blooming’ there?”
“I!” said Mrs. Fairfax. “No, certainly not.”
“Then it’s all up with the concert. We have forgotten Marian’s music;
and there is nothing for Nelly—I beg pardon, I mean Miss McQuinch—to
play from. She is above playing by ear.”
“I _cannot_ play by ear,” said the restless young lady, angrily.
“If you will sing ‘Coal black Rose’ instead, Marian, I can accompany
you on the banjo, and back you up in the chorus. The Wandsworthers—if
they survive the concertinas—will applaud the change as one man.”
“It is so unkind to joke about it,” said the beautiful young lady.
“What shall I do? If somebody will vamp an accompaniment, I can get on
very well without any music. But if I try to play for myself I shall
break down.”
Conolly here stepped aside, and beckoned to the clergyman.
“That young man wants to speak to you,” whispered Mrs. Fairfax.
“Oh, indeed. Thank you,” said the Rev. Mr. Lind, stiffly. “I suppose I
had better see what he requires.”
“I suppose you had,” said Mrs. Fairfax, with some impatience.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account