The Irrational Knot: Being the Second Novel of His Nonage — John Shaqi
The Irrational Knot: Being the Second Novel of His NonageShaw, Bernard
General
The Irrational Knot: Being the Second Novel of His Nonage
Shaw, Bernard
Marriage -- Fiction; Social classes -- Fiction
“I dont wish to intrude where I have no business,” said Conolly quietly
to the clergyman; “but I can play that lady’s accompaniment, if she
will allow me.”
The clergyman was too much afraid of Conolly by this time—he did not
know why—to demur. “I am sure she will not object,” he said, pretending
to be relieved by the offer. “Your services will be most acceptable.
Excuse me for one moment, whilst I inform Miss Lind.”
He crossed the room to the lady, and said in a lower tone, “I think I
have succeeded in arranging the matter, Marian. That man says he will
play for you.”
“I hope he _can_ play,” said Marian doubtfully. “Who is he?”
“It is Conolly. Jasper’s man.”
Miss Lind’s eyes lighted. “Is that he?” she whispered, glancing
curiously across the room at him. “Bring him and introduce him to us.”
“Is that necessary?” said the tall man, without lowering his voice
sufficiently to prevent Conolly from hearing him. The clergyman
hesitated.
“It is quite necessary: I do not know what he must think of us
already,” said Marian, ashamed, and looking apprehensively at Conolly.
He was staring with a policemanlike expression at the tall man, who,
after a vain attempt to ignore him, had eventually to turn away. The
Rev. Mr. Lind then led the electrician forward, and avoided a formal
presentation by saying with a simper: “Here is Mr. Conolly, who will
extricate us from all our difficulties.”
Miss McQuinch nodded. Miss Lind bowed. Marmaduke shook hands
good-naturedly, and retired somewhat abashed, thrumming his banjo. Just
then a faint sound of clapping was followed by the return of the
quartet party, upon which Miss Lind rose and moved hesitatingly toward
the platform. The tall man offered his hand.
“Nonsense, Sholto,” said she, laughing. “They will expect you to do
something if you appear with me.”
“Allow _me_, Marian,” said the clergyman, as the tall man, offended,
bowed and stood aside. She, pretending not to notice her brother,
turned toward Conolly, who at once passed the Rev. George, and led her
to the platform.
“The original key?” he enquired, as they mounted the steps.
“I dont know,” she said, alarmed.
For a moment he was taken aback. Then he said, “What is the highest
note you can sing?”
“I can sing A sometimes—only when I am alone. I dare not attempt it
before people.”
Conolly sat down, knowing now that Miss Lind was a commonplace amateur.
He had been contrasting her with his sister, greatly to the
disparagement of his home life; and he was disappointed to find the
lady break down where the actress would have succeeded so well.
Consoling himself with the reflexion that if Miss Lind could not rap
out a B flat like Susanna, neither could she rap out an oath, he played
the accompaniment much better than Marian sang the song. Meanwhile,
Miss McQuinch, listening jealously in the green-room, hated herself for
her inferior skill.
“Cool, and reserved, is the modern Benjamin Franklin,” observed
Marmaduke to her.
Public-domain text, read in full here on John Shaqi.
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