The Irrational Knot: Being the Second Novel of His NonageShaw, Bernard
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The Irrational Knot: Being the Second Novel of His Nonage
Shaw, Bernard
Marriage -- Fiction; Social classes -- Fiction
“To the enmity of your new associates I am supremely indifferent,
Marian. To that of your old friends I am accustomed. I am not in the
mood to be lectured on my behavior at present; besides, the subject is
hardly worth pursuing. May I gather from your remarks that I shall
gratify you by withdrawing?”
“Yes,” said Marian, flushing slightly, and looking steadily at him.
Then, controlling her voice with an effort, she added, “Do not try
again to browbeat me into telling you a falsehood, Sholto.”
Douglas looked at her in surprise. Before he could answer, Miss
McQuinch reappeared.
“Well, Nelly,” said Marmaduke: “is there any piano left?”
“Not much,” she replied, with a sullen laugh. “I never played worse in
my life.”
“Wrong notes? or deficiency in the sacred fire?”
“Both.”
“I believe your song comes next,” said the clergyman to Conolly, who
had been standing apart, listening to Miss McQuinch’s performance.
“Who is to accompany me, sir?”
“Oh—ah—Miss McQuinch will, I am sure,” replied the Rev. Mr. Lind,
smiling nervously. Conolly looked grave. The young lady referred to
closed her lips; frowned; said nothing. Marmaduke chuckled.
“Perhaps you would rather play your own accompaniment,” said the
clergyman, weakly.
Conolly shook his head decisively, and said, “I can do only one thing
at a time, sir.”
“Oh, they are not very critical: they are only workmen,” said the
clergyman, and then reddened deeply as Marmaduke gave him a very
perceptible nudge.
“I’ll not take advantage of that, as I am only a workman myself,” said
Conolly. “I had rather leave the song out than accompany myself.”
“Pray dont suppose that I wish to be disagreeable, Mr. Lind,” said Miss
McQuinch, as the company looked doubtfully at her; “but I have
disgraced myself too completely to trust my fingers again. I should
spoil the song if I played the accompaniment.”
“I think you might try, Nell,” said Marmaduke, reproachfully.
“I might,” retorted Miss McQuinch; “but I wont.”
“If somebody doesnt go out and do something, there will be a shindy,”
said Marmaduke.
Marian hesitated a moment and then rose. “I am a very indifferent
player,” she said; “but since no better is to be had, I will venture—if
Mr. Conolly will trust me.”
Conolly bowed.
“If you would rather not,” said Miss McQuinch, shamed into remorse, “I
will try the accompaniment. But I am sure to play it all wrong.”
“I think Miss McQuinch had better play,” said Douglas.
Conolly looked at Marian; received a reassuring glance; and went to the
platform with her without further ado. She was not a sympathetic
accompanist; but, not knowing this, she was not at all put out by it.
She felt too that she was, as became a lady, giving the workman a
lesson in courtesy which might stand him in stead when he next
accompanied “Rose, softly blooming.” She was a little taken aback on
finding that he not only had a rich baritone voice, but was, as far as
she could judge, an accomplished singer.
Public-domain text, read in full here on John Shaqi.
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