The Irrational Knot: Being the Second Novel of His Nonage — John Shaqi
The Irrational Knot: Being the Second Novel of His NonageShaw, Bernard
General
The Irrational Knot: Being the Second Novel of His Nonage
Shaw, Bernard
Marriage -- Fiction; Social classes -- Fiction
“Really,” she said as they left the platform, “you sing most
beautifully.”
“One would hardly have expected it,” he said, with a smile.
Marian, annoyed at having this side of her compliment exposed, did not
return the smile, and went to her chair in the green-room without
taking any further notice of him.
“I congratulate you,” said Mrs. Leith Fairfax to Conolly, looking at
him, like all the rest except Douglas, with a marked access of
interest. “Ah! what wonderful depth there is in Gounod’s music!”
He assented politely with a movement of his head.
“I know nothing at all about music,” said Mrs. Fairfax.
“Very few people do.”
“I mean technically, of course,” she said, not quite pleased.
“Of course.”
A tremendous burst of applause here followed the conclusion of the
first verse of “Uncle Ned.”
“_Do_ come and listen, Nelly,” said Marian, returning to the door. Mrs.
Fairfax and Conolly presently went to the door too.
“Would you not like to help in the chorus, Nelly?” said Marian in a low
voice, as the audience began to join uproariously in the refrain.
“Not particularly,” said Miss McQuinch.
“Sholto,” said Marian, “come and share our vulgar joy. We want you to
join in the chorus.”
“Thank you,” said Douglas, “I fear I am too indifferent a vocalist to
do justice to the occasion.”
“Sing with Mr. Conolly and you cannot go wrong,” said Miss McQuinch.
“Hush,” said Marian, interposing quickly lest Douglas should retort.
“There is the chorus. Shall we really join?”
Conolly struck up the refrain without further hesitation. Marian sang
with him. Mrs. Fairfax and the clergyman looked furtively at one
another, but forbore to swell the chorus. Miss McQuinch sang a few
words in a piercing contralto voice, and then stopped with a gesture of
impatience, feeling that she was out of tune. Marian, with only Conolly
to keep her in countenance, felt relieved when Marmaduke, thrice
encored, entered the room in triumph. Whilst he was being
congratulated, Douglas turned to Miss McQuinch, who was pretending to
ignore Marmaduke’s success.
“I hope, Miss McQuinch,” he said in a low tone, “that you will be able
to relieve Marian at the piano next time. You know how she dislikes
having to play accompaniments for strangers.”
“How mean it is of you to be jealous of a plumber!” said Miss McQuinch,
with a quick glance at him which she did not dare to sustain, so
fiercely did he return it.
When she looked again, he seemed unconscious of her presence, and was
buttoning his overcoat.
“Really going at last, Sholto?” said Marian. Douglas bowed.
“I told you you wouldnt be able to stand it, old man,” said Marmaduke.
“Mrs. Bluestockings wont be pleased with you for not staying to hear
her recite.” This referred to Mrs. Fairfax, who had just gone upon the
platform.
“Good night,” said Miss McQuinch, shortly, anxious to test how far he
was offended, but unwilling to appear solicitous for a reconciliation.
Public-domain text, read in full here on John Shaqi.
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