France -- Social life and customs -- 19th century -- Fiction
From these indications it is easy to imagine Madame Granson in her
cold salon with its yellow curtains and Utrecht velvet furniture, also
yellow, as she straightened the round straw mats which were placed
before each chair, that visitors might not soil the red-tiled floor
while they sat there; after which she returned to her cushioned
armchair and little work-table placed beneath the portrait of the
lieutenant-colonel of artillery between two windows,--a point from
which her eye could rake the rue du Bercail and see all comers. She
was a good woman, dressed with bourgeois simplicity in keeping with
her wan face furrowed by grief. The rigorous humbleness of poverty
made itself felt in all the accessories of this household, the very
air of which was charged with the stern and upright morals of the
provinces. At this moment the son and mother were together in the
dining-room, where they were breakfasting with a cup of coffee, with
bread and butter and radishes. To make the pleasure which Suzanne's
visit was to give to Madame Granson intelligible, we must explain
certain secret interests of the mother and son.
Athanase Granson was a thin and pale young man, of medium height, with
a hollow face in which his two black eyes, sparkling with thoughts,
gave the effect of bits of coal. The rather irregular lines of his
face, the curve of his lips, a prominent chin, the fine modelling of
his forehead, his melancholy countenance, caused by a sense of his
poverty warring with the powers that he felt within him, were all
indications of repressed and imprisoned talent. In any other place
than the town of Alencon the mere aspect of his person would have won
him the assistance of superior men, or of women who are able to
recognize genius in obscurity. If his was not genius, it was at any
rate the form and aspect of it; if he had not the actual force of a
great heart, the glow of such a heart was in his glance. Although he
was capable of expressing the highest feeling, a casing of timidity
destroyed all the graces of his youth, just as the ice of poverty kept
him from daring to put forth all his powers. Provincial life, without
an opening, without appreciation, without encouragement, described a
circle about him in which languished and died the power of thought,--a
power which as yet had scarcely reached its dawn. Moreover, Athanase
possessed that savage pride which poverty intensifies in noble minds,
exalting them in their struggle with men and things; although at their
start in life it is an obstacle to their advancement. Genius proceeds
in two ways: either it takes its opportunity--like Napoleon, like
Moliere--the moment that it sees it, or it waits to be sought when it
has patiently revealed itself. Young Granson belonged to that class of
men of talent who distrust themselves and are easily discouraged. His
soul was contemplative. He lived more by thought than by action.
Perhaps he might have seemed deficient or incomplete to those who
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