The Jenolan Caves: An Excursion in Australian WonderlandCook, Samuel
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The Jenolan Caves: An Excursion in Australian Wonderland
Cook, Samuel
Australia -- Description and travel; Caves; Jenolan Caves (N.S.W.)
On leaving-the Carlotta Arch and the bridge, the visitor--mentally
gratified, physically tired, and conscious that his perceptive faculties
have been somewhat strained--rejoices that the cave-house is
conveniently near, so that he can promptly ensconce himself in an
easy-chair and meditate upon the charming scenes upon which his eyes
have feasted. If he be unusually robust he may economise the return
journey by taking a peep at the Elder Cave, which lies just off his
homeward course. It derives its name from the elder trees which grow
about it and conceal its entrance, which is at the bottom of a "ragged"
shaft similar to that described in the tragedy of "Titus Andronicus,"
whose authorship is disputed, but which Samuel Phelps and others have no
doubt was written by Shakespeare. It resembles the "subtle hole" where
Bassianus lay imbrued "all of a heap like a slaughtered lamb." But that
was near an alder, and not an elder, tree; and, so far as is known, the
pit which leads to the Elder Cave has no associations so tragic as those
which are inseparable from the horrible brutalities of "Titus
Andronicus." Its mouth is not covered with "rude growing briars," nor
are there upon the leaves "drips of new-shed blood as fresh as morning
dew distilled on flowers." On the contrary, it is a rather
cheerful-looking pit, filled up with foliage like an arborescent bouquet
in an enormous natural vase. For a long time its cavity was completely
obscured by the leafy covering, and it was first entered by climbing
along a branch level with the surface of the ground, and descending the
trunk of the tree to the bottom of the well. There are several elders in
the pit, which, being unusually moist, is favourable to their growth,
and they bear splendid cymes of cream-coloured flowers and black berries
suggestive of spiced home-made wine.
Public-domain text, read in full here on John Shaqi.
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