What leaps to the eyes is that the gospel legend preserves two separated features of the festival of a Sacrificed Mock-King, which as incidents in the life of the Teacher are wholly incompatible, and which the biographical theory cannot reasonably explain--the acclaimed and welcomed Entry into Jerusalem and within a week the demand of the city multitude for the crucifixion. The Entry is an elaboration of several myth elements, but it contains the item of the acclaimed ride of the quasi-king, mounted on an ass (or two asses). If the biographical school would but consider historical probabilities, they would realize that the story as told cannot be historical, with or without the strange antithesis of the multitude's speedy demand for the prophet's death. Such a triumphal entry, for such a person as the gospel Jesus, could not spontaneously have taken place: it must have been planned; and, if arranged with such an effect as the record describes, it would have given Pilate very sufficient ground for intervention without waiting for a complaint from the priests. Taken as history, it is wholly irreconcilable with the "Crucify him" ascribed to a multitude whose support of Jesus had been affirmed the day before; and accordingly M. Loisy, accepting the Entry, rejects the latter episode. Strauss, hesitating to go, "as has latterly often been done," the length of rejecting the Entry on the ass as wholly mythical, finds it very much so; [83] and Brandt incidentally dismisses it as "under the strongest suspicion of being framed upon Old Testament motives from beginning to end." [84] Thus the biographical school itself proffers a myth-theory, without indicating an explanatory motive for the positing of a contradiction. But when we realize that an acclamation of a quasi-king riding on an ass was actually part of the ritual in a sacrificial rite in which he was to be crucified, the two clashing elements in the legend are at once explained in the full myth-theory. Their separate handling and development was, just as intelligibly, part of the process of gospel-making, the creation of an ideal Jesus. But seeing that in the Sacæa festival the mock-king had a five days' reign between his start and his death, [85] the original ritual gave the interval which in the gospel story is filled with the acts of the Teaching God. Five days is the accepted traditional interval from Palm Sunday to Crucifixion Day.