[Footnote 1: Heywood dedicates the First Part of THE IRON AGE (printed 1632) "To my Worthy and much Respected Friend, Mr. Thomas Hammon, of Grayes Inne, Esquire."] [Footnote 2: Tho. Heywood: The well-known dramatist.] [Footnote 3: censures: i.e. judgments.] [Footnote 4: bin: i.e. been.] [Footnote 5: best of poets: "Marlo." Marg. note in old ed.] [Footnote 6: best of actors: "Allin." Marg. note in old. ed.--Any account of the celebrated actor, Edward Alleyn, the founder of Dulwich College, would be superfluous here.] [Footnote 7: In HERO AND LEANDER, &c.: The meaning is--The one (Marlowe) gained a lasting memory by being the author of HERO AND LEANDER; while the other (Alleyn) wan the attribute of peerless by playing the parts of Tamburlaine, the Jew of Malta, &c.--The passage happens to be mispointed in the old ed. thus, "In Hero and Leander, one did gaine A lasting memorie: in Tamberlaine, This Jew, with others many: th' other wan," &c. and hence Mr. Collier, in his HIST. OF ENG. DRAM. POET. iii. 114, understood the words, "in Tamburlaine, This Jew, with others many," as applying to Marlowe: he afterwards, however, in his MEMOIRS OF ALLEYN, p. 9, suspected that the punctuation of the old ed. might be wrong,--which it doubtless is.] [Footnote 8: him: "Perkins." Marg. note in old ed.--"This was Richard Perkins, one of the performers belonging to the Cock-pit theatre in Drury-Lane. His name is printed among those who acted in HANNIBAL AND SCIPIO by Nabbes, THE WEDDING by Shirley, and THE FAIR MAID OF THE WEST by Heywood. After the play-houses were shut up on account of the confusion arising from the civil wars, Perkins and Sumner, who belonged to the same house, lived together at Clerkenwell, where they died and were buried. They both died some years before the Restoration. See THE DIALOGUE ON PLAYS AND PLAYERS [Dodsley's OLD PLAYS, 1. clii., last ed.]." REED (apud Dodsley's O. P.). Perkins acted a prominent part in Webster's WHITE DEVIL, when it was first brought on the stage, --perhaps Brachiano (for Burbadge, who was celebrated in Brachiano, does not appear to have played it originally): in a notice to the reader at the end of that tragedy Webster says; "In particular I must remember the well-approved industry of my friend Master Perkins, and confess the worth of his action did crown both the beginning and end." About 1622-3 Perkins belonged to the Red Bull theatre: about 1637 he joined the company at Salisbury Court: see Webster's WORKS, note, p. 51, ed. Dyce, 1857.] [Footnote 9: prize was play'd: This expression (so frequent in our early writers) is properly applied to fencing: see Steevens's note on Shakespeare's MERRY WIVES OF WINDSOR, act. i. sc. 1.]