During this struggle California gave her word that she would not ask the Nation for help in financing the Exposition. The promise has been kept. The Government has not even erected a national building. It has, however, helped in material ways, by granting the use of portions of the Presidio and Fort Mason reservations, by sending naval colliers to bring exhibits from European countries, and by becoming one of the heaviest exhibitors. The national exhibits include three companies of marines encamped on the grounds, and the battleship Oregon anchored off the Marina. After Congress had acted, half a year was spent in choosing a site. It was at first expected that the Exposition would be built in Golden Gate Park. A compromise among advocates of different sites was reached on July 25, 1911, when a majority vote of the directors named a site including portions of Golden Gate Park, Lincoln Park, the Presidio, and Harbor View. Before 100,000 people President Taft broke ground for the Exposition in the Stadium of Golden Gate Park. But it was not long before the choice settled finally on Harbor View alone. The work began with the organization of the architectural staff. The following architects accepted places on the commission: McKim, Mead and White, Henry Bacon, and Thomas Hastings of New York; Robert Farquhar of Los Angeles; and Louis Christian Mullgardt, George W. Kelham, Willis Polk, William B. Faville, Clarence R. Ward, and Arthur Brown of San Francisco. To their number was later added Bernard R. Maybeck of San Francisco, who designed the Palace of Fine Arts, while Edward H. Bennett, an associate of Burnham, of Chicago, made the final ground plan of the Exposition group. When San Francisco had been before Congress asking national endorsement for the Exposition here, the plans which were then presented, and on which the fight was won, were prepared by Ernest Coxhead, architect, of this city. These proposed a massed grouping of the Exposition structures, around courts, and on the Bay front. They were afterwards amplified by Coxhead, and furnished the keynote of the scheme finally carried out. While the Exposition belongs not to California alone, but to the whole world, it is pleasant to find that so much of what is best in it is the work of Californians and San Franciscans.