The Jewel House: An Account of the Many Romances Connected with the Royal Regalia: Together with Sir Gilbert Talbot's Account of Colonel Blood's Plot — John Shaqi
The Jewel House: An Account of the Many Romances Connected with the Royal Regalia: Together with Sir Gilbert Talbot's Account of Colonel Blood's PlotYounghusband, G. J. (George John)
History
The Jewel House: An Account of the Many Romances Connected with the Royal Regalia: Together with Sir Gilbert Talbot's Account of Colonel Blood's Plot
Younghusband, G. J. (George John)
Crown jewels -- Great Britain
The silver trumpets and gold maces are placed in the Jewel House as part
of the Royal Treasure. There were originally sixteen silver trumpets,
but one disappeared in a bygone reign and has never been recovered, so
that fifteen only remain. They are the ordinary shape of a cavalry
trumpet, and are used not only at the King’s Coronation, but also when
proclamations are made by the Heralds in the King’s name. They were thus
used, for instance, when the Heralds rode to various parts of London and
proclaimed the Peace at the end of the Great War, in 1919. Pendent from
each trumpet is a crimson silk banneret richly embroidered in gold,
displaying the Royal arms with the cypher of the reigning monarch. At
the Coronation of the sovereign the trumpeters blow a fanfare on these
silver trumpets, the ritual for which in the old world wording of the
Coronation service is thus given:
“The Archbishop of Canterbury speaks thus to the people: ‘Sirs, I
here present unto you King George, the undoubted King of this realm:
wherefore all you who are come this day to do your homage, are you
willing to do the same?’ The people signify their willingness by
loud and repeated exclamations, all with one voice crying out ‘God
save King George.’”
Then the trumpets sound a fanfare.
Of gold maces there are eight in number at the Tower. The oldest of
these are two made for Charles II; there are two also which date from
the reign of James II, whilst three were supplied for William and Mary,
and one for George I. They are all of very similar pattern. A mace was
originally a weapon used by cavalry soldiers, and many and various
patterns of these may be seen in the Armoury in the White Tower. It was,
in fact, a bludgeon with a short handle and a heavy head, sufficiently
heavy to beat in the steel helmets worn in those days. The ceremonial
mace has, instead of a battle-head, a crown, and this crown is to denote
the delegation of the Royal authority. The Sergeant-at-arms carrying the
mace before the Speaker, and placing it on rests before him in the House
of Commons, thus conveys the Royal Assent to the assembly. In the same
way mayors of towns have crowned maces borne before with the same
intention. When policemen, or peelers as they were then called, were
first incorporated, they were served out with truncheons which were
miniature maces with a Royal crown at the head of each. These crowns,
however, were not very practical weapons with which to knock a burglar
on the head; indeed, they generally broke off, which was an untoward
catastrophe, so they were discontinued. Those who were in the streets of
London when the Peace proclamation was made at the close of the Great
War, will have noticed that sergeants-at-arms bearing their maces
accompanied the heralds and trumpeters, thus signifying that the whole
ceremony was with the King’s authority.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account