The second scene followed soon and turned out to be bitter tragedy, and before it was quite over Tolstoi wandered off on that last pilgrimage which ended in the little railway station of Ostopova. He succumbed at last to that “temptation” he speaks of so freely in his Journal, to leave his home conditions, negate himself entirely, and find himself again, merged and at one with the Whole. And the Great Deliverer came and offered him even a greater fusion with all, giving him that “other post,” the “new appointment” he so ardently prayed for in life. When that happened he became at once clear and lucid even to those nearest him--who had criticised him the most. The Russian youth was disconsolate. Our spiritual guide is gone, they cried. Who will hold up the candle for us now? What black night is there in the world, and how to grope our way in it alone! How lonely it was without that spiritual guide! The first act of the March Revolution was to redecorate the grave of Tolstoi in the forest of Zakaz, to make the sacred pilgrimage to his resting place and tell the father of the good news--the will of God is being established, reason is awakened in man. Love toward neighbour; nay, the greatest of all, love toward enemies, is being accomplished. It is with a feeling of reverence that I bring this gift of the inner soul of Tolstoi to the English-speaking public. The very formlessness of the phrases of this Journal helps toward a sincerity of thought which shows itself pure by its nakedness. Tolstoi himself knew the value of these documents, for one man was to him as another, and the sincere gropings of a man’s reason toward the understanding of the meaning of life was of value even if they were his own, and especially if they were of one who had lived much and thought much as he did. “It is especially disagreeable to me,” he writes, “when people who have lived little and thought little do not believe me, and, not understanding me, argue with me about moral problems. It would be the same for which a veterinary surgeon would be hurt if people who were not familiar with his art would argue with him.” And Tolstoi knew that he knew his art, he knew consciously, since the spiritual awakening that came to him in the Eighties, the great mission to which he dedicated his life--to find a moral justification of living--and it is therefore that he laid special stress in the disposal of these documents for the public after his death. The volume here printed is only four years of over sixty years of Journal which he kept since his early twenties. They are published first, because it is only with the Journal beginning 1890 that his editor and friend, V. G. Chertkov, has the copied manuscripts in their entirety--from that date up to Tolstoi’s death in 1910.