Margery rose from her half-eaten breakfast, and went across the room to
where his easel was.
"So?" she said.
Frank picked up the charcoal, and began drawing rapidly. In ten minutes
he had done what he had been trying to do for the last two hours.
"There," he said, "that is your husband. And now go back to your
breakfast, Margery. I must begin to paint at once!"
Margery looked at the face he had drawn.
"Why, it is you," she said. "And, Frank, you look just as you looked
when I met you that morning on the beach at New Quay."
"That is what I mean," said Frank.
CHAPTER IV
Margery finished her breakfast with a sense of relief. She wanted this
portrait to be done quickly and easily, without incident or difficulty,
and the fact that Frank had completely got over his odd inability to
draw the face as he wished was very encouraging. She left a parting
injunction with him to eat his breakfast before lunch, and take himself
out for half an hour's stroll.
Frank got his palette ready and stood brush in hand. He glanced at his
own reflection in the looking-glass and back to the face on the canvas,
then back again.
"It is very odd," he murmured to himself. "I saw it so clearly just
now."
He stood looking from one to the other, and a frown gathered on his
face. When Margery had been there with him he had seen something quite
different to what he saw now. He had seen himself as she saw him, but
the face which frowned back at him from the looking-glass was the face
of another man.
He laid the palette and the dry brushes down, and took a piece of paper
and began drawing on it. Line for line he reproduced the face he had
drawn earlier in the morning, which he had erased once.
"It is no good," he said; "I must draw what I am, not what Margery
thinks me." And, taking a piece of breadcrumb from the breakfast-table,
he rubbed out the face which he had drawn when Margery was standing
at his side. He looked again at the sketch he had made. He felt that
he could not draw it any other way. The eyelids were a little drooped;
the whole face a little faded, but still eager. The noises of a gay
city were in its ears; the eyes, half unfocussed, looking outward and
a little sideways, were half amused, half wearied. The mouth smiled
slightly, and the lips were parted; but the smile was not altogether
wholesome. But through it all the face had a wistful expression--the
tired eyes seemed to long for something different from the things which
were sweet and bitter and bad, but had not the strength to cease from
looking on them.
Frank took up his crayon again. There was still something about the
mouth which did not satisfy him. He looked at his reflection and back
again several times before he saw what was wanting. Then he made two
rapid strokes, increasing the line of shadow in the mouth, and the
thing was finished. The expression he had tried to catch for so long
was there, and he wondered whether Margery would see it with the same
eyes as he did.
Public-domain text, read in full here on John Shaqi.
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