"Yes, dear," said Margery, "I knew the picture would be a wonderful
thing. But it is too dark to look at it now and too dark for you to
paint. Let us come away, and we will find those chapters you spoke of.
I have got them all, I tell you. They seem to me very good and very
important--quite as important now, and much better, than the chapters
you have written there."
She put her hand through Frank's arm, and all her soul went into that
touch.
"Come," she said; "they are not here."
For one moment she felt Frank's arm tremble under the loving press of
her fingers, but he said nothing and did not move.
"You asked me to kiss you this afternoon," she said; "and now, Frank, I
ask you to kiss me. Kiss me on the lips, for we are husband and wife."
And standing by that painted horror he kissed her.
"And now come out for a few moments," said Margery, "for I cannot tell
you here."
Frank obeyed, and together in silence they walked out on to the terrace.
"Let us sit down here," said she, "and I will tell you what you have
forgotten."
"Those other chapters?" asked Frank. "I want them, for the picture is
not complete."
"Yes, those other chapters. They are very short. Just this, Frank, that
I loved you, and love you now. I see what your fear was: it was fear
for me, not for yourself. You thought that if you painted this picture
you would have to put something into it which I did not know--something
you were afraid of my hearing. I know it, and I am not afraid. But the
chapters we wrote together are still true; they are the truest part of
all. Your picture is not complete. It wants the most essential part of
all."
Once more she felt a tremor go through his arm, but still he said
nothing.
"You told me I did not understand what you meant," she said, "but I
understand now. And you too did not understand me if you thought that
anything in the world could make any difference to my love for you. We
have all of us in our natures something not nice to look at, but what
we stand or fall by is our beautiful chapters. You cannot destroy them,
Frank, though you thought you could, because they belong to me as well
as you, and I will not have them destroyed. You thought you had lost
them, but you have not. They are here. You may read them now with me."
Margery paused, and on the silence came the sudden, quick-drawn breath
that opens the gates of tears. In a moment she felt Frank's arms round
her, and his hands clasped about her neck.
"Margy! Margy!" he whispered, "have you got them now, even now? My God!
how little I knew! You shrank from me, and I thought you had given me
up; that there was nothing left to me but that--that horror. But what
can I do? My judgment book is written. Is not that true too?"
"Do you remember what you said?" asked Margery. "Did you not tell me
that you loathed what you were painting? Why did you loathe it?"
"Why did I loathe it? Why, because it was--something horrible,
wretched!"
"Let us go to the studio," said Margery.
Public-domain text, read in full here on John Shaqi.
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