The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful artsBrewster, David
Science
The kaleidoscope : $b its history, theory and construction. With its application to the fine and useful arts
Brewster, David
Kaleidoscopes
If the object is placed within the reflectors at any point =D=, Fig.
16, between their object end =O=, and their eye-end =E=, a perfectly
symmetrical picture will obviously be formed from it; but the centre of
this picture will not be at =O=, the centre of the luminous sectors,
but at the point =D=, where the object is placed, or its projection
_d_, so that we shall have a circular luminous field enclosing an
eccentric circular pattern. Such a position of the object is therefore
entirely unfit for the production of a symmetrical picture, unless the
object should be such as wholly to exclude the view of the circular
field, formed by the reflected images of the aperture =A O B=.
As the point =D= approaches to =O=, the centre _d_ of the symmetrical
picture will approach to =O=, and when =D= coincides with =O=, the
centre of the picture will be at =O=, and all the images of the
object placed in the plane =A O B= will be similarly disposed in all
the sectors which compose the circular field of view. Hence we may
conclude, that a perfectly symmetrical pattern cannot be exhibited
in the circular field of view, when the object is placed between =O=
and =E=, or anywhere within the reflectors. If the eye could be placed
exactly at the angular point =E=, so that every point of the line =E O=
should be projected upon =O=, then the images would be symmetrically
arranged round =O=; but this is obviously impossible, for the object
would, in such circumstances, cease to become visible when this
coincidence took place. But independent of the eccentricity of the
pattern, the position of the object within the mirrors prevents that
motion of the objects, without which a variation of the pattern cannot
be produced. An object between the reflectors must always be exposed
to view, and we cannot restrict our view to one-half, one-third, or
one-fourth of it, as when we have it in our power to move the objects
across the aperture, or the aperture over the objects.
[Illustration: FIG. 16.]
Another evil arising from the placing of the objects within the
mirrors, is, that we are prevented from giving them the proper degree
of illumination which is so essential to the distinctness of the last
reflexions. The portions of the mirrors, too, beyond the objects, or
those between =D= and =O=, are wholly unnecessary, as they are not
concerned in the formation of the picture. Hence it follows, that the
effects of the Kaleidoscope cannot be produced by any combination of
mirrors, in which the objects are placed within them.
Public-domain text, read in full here on John Shaqi.
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