"The village of Raveloe, as you remember, lay on the rich, central
plain of Merry England, with wooded hollows and well-walled orchards
and ornamental weathercocks and church spires rising peacefully
above green tree-tops. But Silas Marner saw nothing of the Merry
England through which he peddled his cloth. He walked through it all
with the outdoor loneliness of those who cannot see. His mother had
bequeathed him knowledge of a few herbs; and these were the only thing
in nature that he had ever gropingly looked for along hedgerows and
lanesides--foxglove and dandelion and coltsfoot.
"Now, if you have read the story, you have a far more living, touching
picture of the life of a weaver in those distant times that I could
possibly paint. The genius of George Eliot painted it supremely and I
point to her masterpiece rather than to any faint semblance I could
draw. What I want you to do is to get deeply into your minds what the
life of a weaver in those days meant: a little further on you will
understand why.
"Next I want you to think of Silas Marner as an all too common figure
of the present time. He is a type of those of us who go through our
lives all but blind to the surpassingly beautiful life of the planet
on which it is our strange and glorious destiny to spend our human
days. He is a type of those of us who, in town or city, see only
the implements of our trade or business ever close to our eyes--our
shuttle, our thread, our loom, of whatever kind these may be. When we
go out into the world of nature, he is also a type of those of us, who
recognise only the few things we need--our coltsfoot, our foxglove, our
dandelion, of whatever kind these may be. In the midst of woods and
fields we gaze blankly around us with vision blurred by ignorance--not
born blind but remaining as blind because we do not care or have not
learned to open and to train our eyes. We have the outdoor loneliness
of Silas Marner."
He waited a few moments to allow his words to make their impression,
and long accustomed to the countenance of listeners, he felt sure
that they were following him in the road he pursued: then he led them
forward:
"Now, about the period that George Eliot paints the life of her poor
English weaver there lived, not in Merry England but in Bonnie
Scotland--and to be bonnie is not to be merry--there lived in the
little town of Paisley, in the west of Scotland, a man by the name of
Alexander Wilson, a poor illiterate distiller. He had a son--the boy I
am to tell you about.
Public-domain text, read in full here on John Shaqi.
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