He must tell her everything, and then go. He struck a match for his
cigar, to give himself a moment of arranging his words, and, as he
stood shielding the light against a faintly stirring breeze, the
miniature glare fell on her delicately chiseled lips and nose and
chin. Her expression made him hesitate. She was very young, very
innocently childlike and very happy. To tell her now would be like
spoiling a little girls' party. It must be told soon, but not while
the dance music was still in their ears and the waxy smell of the
dance candles still in their nostrils.
When he left her at Horton House, he did not at once return to the
cabin. He wanted the open skies for his thoughts, and there was no
hope of sleep.
He retraced his steps from the road, and wandered into the
old-fashioned garden. At last, he halted by the seat where he had
posed her for the portrait. The moon was sinking, and the shadows of
the garden wall and trees and shrubs fell in long, fantastic angles
across the silvered earth. The house itself was dark except where the
panes of her window still glowed. Standing between the tall stalks of
the hollyhocks, he held his watch up to the moon. It was half-past two
o'clock.
Then, he looked up and started with surprise as he saw her standing
in the path before him. At first, he thought that his imagination had
projected her there. Since she had left him at the stairs, the picture
she had made in her white gown and red roses had been vividly
permanent, though she herself had gone.
But, now, her voice was real.
"Do you prowl under my windows all night, kind sir?" she laughed,
happily. "I believe you must be almost as much in love as I am."
The man reached forward, and seized her hand.
"It's morning," he said. "What are you doing here?"
"I couldn't sleep," she assured him. Then, she added serenely: "Do you
suppose that the moon shines like this every night, or that I can
always expect times like these? You know," she taunted, "it was so
hard to get you to admit that you cared that it was an achievement. I
must be appreciative, mustn't I? You are an altogether reserved and
cautious person."
He seized her in his arms with neither reserve nor caution.
"Listen," he said in an impassioned voice, "I have no right to touch
you. In five minutes, you will probably not even let me speak to you.
I had no right to speak. I had no right to tell you that I loved you!"
She did not draw away. She only looked into his eyes very solemnly.
"You had no right?" she repeated, in a bewildered voice. "Don't you
love me?"
"You don't have to ask that," he avowed. "You know it. Your own heart
can answer such questions."
"Then," she decreed with womanlike philosophy, "you had a right to say
so--because I love you, and that is settled."
"No," he expostulated, "I tell you I did not have the right. You must
forget it. You must forget everything." He was talking with mad
impetuosity.
Public-domain text, read in full here on John Shaqi.
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