The King of Schnorrers: Grotesques and FantasiesZangwill, Israel
General
The King of Schnorrers: Grotesques and Fantasies
Zangwill, Israel
Humorous stories; Jewish fiction; Jews -- England -- Fiction; London (England) -- Fiction
Flutter-Duck's husband was a furrier--a master-furrier, for did he not
run a workshop? This workshop was also his living-room, and this
living-room was also his bedroom. It was a large front room on the
first floor, over a chandler's shop in an old-fashioned house in
Montague Street, Whitechapel. Its shape was peculiar--an oblong
stretching streetwards, interrupted in one of the longer walls by a
square projection that might have been accounted a room in itself (by
the landlord), and was, indeed, used as a kitchen. That the fireplace
had been built in this corner was thus an advantage. Entering through
the door on the grand staircase, you found yourself nearest the window
with the bulk of the room on your left, and the square recess at the
other end of your wall, so that you could not see it at first. At the
window, which, of course, gave on Montague Street, was the bare wooden
table at which the "hands"--man, woman, and boy--sat and stitched. The
finished work--a confusion of fur caps, boas, tippets, and
trimmings--hung over the dirty wainscot between the door and the
recess. The middle of the room was quite bare, to give the workers
freedom of movement, but the wall facing you was a background for
luxurious furniture. First--nearest the window--came a sofa, on which
even in the first years of marriage Flutter-Duck's husband sometimes
lay prone, too unwell to do more than superintend the operations, for
he was of a consumptive habit. Over the sofa hung a large gilt-framed
mirror, the gilt protected by muslin drapings, in the corners of which
flyblown paper flowers grew. Next to the sofa was a high chest of
drawers crowned with dusty decanters, and after an interval filled up
with the Sabbath clothes hanging on pegs and covered by a white sheet;
the bed used up the rest of the space, its head and one side touching
the walls, and its foot stretching towards the kitchen fire. On the
wall above this fire hung another mirror,--small and narrow, and full
of wavering, watery reflections,--also framed in muslin, though this
time the muslin served to conceal dirt, not to protect gilt. The
kitchen-dresser, decorated with pink needle-work paper, was at right
angles to the fireplace, and it faced the kitchen table, at which
Flutter-Duck cleaned fish, peeled potatoes, and made meat _kosher_ by
salting and soaking it, as Rabbinic law demanded.
By the foot of the bed, in the narrow wall opposite the window, was a
door leading to a tiny inner room. For years this door remained
locked; another family lived on the other side, and the furrier had
neither the means nor the need for an extra bedroom. It was a room
made for escapades and romances, connected with the back-yard by a
steep ladder, up and down which the family might be seen going, and
from which you could tumble into a broken-headed water-butt, or, by a
dexterous back-fall, arrive in a dustbin. Jacob's ladder the
neighbours called it, though the family name was Isaacs.
Public-domain text, read in full here on John Shaqi.
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