The King of Schnorrers: Grotesques and FantasiesZangwill, Israel
General
The King of Schnorrers: Grotesques and Fantasies
Zangwill, Israel
Humorous stories; Jewish fiction; Jews -- England -- Fiction; London (England) -- Fiction
And over everything was the trail of the fur. The air was full of a
fine fluff--a million little hairs floated about the room covering
everything, insinuating themselves everywhere, getting down the backs
of the workers and tickling them, getting into their lungs and making
them cough, getting into their food and drink and sickening them till
they learnt callousness. They awoke with "furred" tongues, and they
went to bed with them. The irritating filaments gathered on their
clothes, on their faces, on the crockery, on the sofa, on the mirrors
(big and little), on the bed, on the decanters, on the sheet that hid
the Sabbath clothes--an impalpable down overlaying everything,
penetrating even to the drinking-water in the board-covered zinc
bucket, and covering "Rebbitzin," the household cat, with foreign
fur. And in this room, drawing such breath of life, they sat--man,
woman, boy--bending over boas bewitching young ladies would skate in;
stitch, stitch, from eight till two and from three to eight, with
occasional overtime that ran on now and again far into the next day;
till their eyelids would not keep open any longer, and they couched on
the floor on a heap of finished work; stitch, stitch, winter and
summer, all day long, swallowing hirsute bread and butter at nine in
the morning, and pausing at tea-time for five o'clock fur. And when
twilight fell the gas was lit in the crowded room, thickening still
further the clogged atmosphere, charged with human breaths and street
odours, and wafts from the kitchen corner and the leathery smell of
the dyed skins; and at times the yellow fog would steal in to
contribute its clammy vapours. And often of a winter's morning the fog
arrived early, and the gas that had lighted the first hours of work
would burn on all day in the thick air, flaring on the Oriental
figures with that strange glamour of gas-light in fog, and throwing
heavy shadows on the bare boards; glazing with satin sheen the pendent
snakes of fur, illuming the bowed heads of the workers and the
master's sickly face under the tasselled smoking-cap, and touching up
the faded fineries of Flutter-Duck, as she flitted about, chattering
and cooking.
Into such an atmosphere Flutter-Duck one day introduced a daughter,
the "hands" getting an afternoon off, in honour not of the occasion
but of decency. After that the crying of an infant became a feature of
existence in the furrier's workshop; gradually it got rarer, as little
Rachel grew up and reconciled herself to life. But the fountain of
tears never quite ran dry. Rachel was a passionate child, and did not
enjoy the best of parents.
Every morning Flutter-Duck, who felt very grateful to Heaven for this
crowning boon,--at one time bitterly dubious,--made the child say her
prayers. Flutter-Duck said them word by word, and Rachel repeated
them. They were in Hebrew, and neither Flutter-Duck nor Rachel had the
least idea what they meant. For years these prayers preluded stormy
scenes.
Public-domain text, read in full here on John Shaqi.
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