The Kingdom of Slender SwordsRives, Hallie Erminie
History
The Kingdom of Slender Swords
Rives, Hallie Erminie
East and West -- Fiction; Japan -- History -- Meiji period, 1868-1912 -- Fiction
"It is for a thing they call a 'window'," said Thorn. "After a time they
will put therein an august abomination, representing sublimely hideous
cloud-born beings and idiotic-looking saints in colored glass."
The priest nodded his shaven head sagely.
"It will, perhaps, deign to be a _gaku_ of the Christian God. I shall,
with deference, study it. I have watered my worthless mind with much
arrogant reading of Him. Doubtless He was also Buddha and taught The
Way."
An acolyte had come from the temple and approached the red bell-tower.
Midway of the huge bronze bell a heavy cedar beam, like a catapult, was
suspended from two chains. He swung this till its muffled end struck the
metal rim, and the air swelled with a dreamy sob of sound. He swung it
again, and the sob became a palpitant moan, like breakers on a far-away
beach. Again, and a deep velvety boom throbbed through the stillness
like the heart of eternity.
"It is time for the service," said the priest, and turning, went into
the temple, from whose interior soon came the woodeny tapping of a
_mok'gyo_--the hollow wooden fish, which is the emblem of the _Mon-to_
sect--and the sound of chanting voices.
* * * * *
Thorn, the man with whom the priest had spoken, crossed the bridge to
the other temple with a slow step. He passed between the scowling
guardian figures, slid back a paper _shoji_ and entered. The room in
which he stood had been the _haiden_, or room of worship. Around its
walls were oblong carvings, marvelously lacquered, of the nine flowers
and nine birds of old Japanese art. In one were set six large painted
panels; the red seal they bore was that of the great Cho Densu, the Fra
Angelico of Japan. In its center, under a brocade canopy, was a raised
platform once the seat of the High Priest. It faced a long transept,
like a chancel; this ended in a short flight of steps leading, through
doors of soft, fretted gold-lacquer, to a huge altar set with carved
tables, great tarnished brasses and garish furniture. The walls of the
transept were done in red with green ornamentations. From the overhead
gloom grotesque phoenix and dragon peered down and in the gathering
dimness, shot through with the wan yellow gleam of brass, the place
seemed uncanny.
Thorn drew back a heavy drapery which covered a doorway, and entered a
room that was windowless and very dark. He lit a candle.
Public-domain text, read in full here on John Shaqi.
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