The Kingdom of Slender SwordsRives, Hallie Erminie
History
The Kingdom of Slender Swords
Rives, Hallie Erminie
East and West -- Fiction; Japan -- History -- Meiji period, 1868-1912 -- Fiction
The dim light it furnished disclosed a weird and silent assembly. The
space was crowded with strange glimmering deities--of bronze, of silver,
of priceless gold-lacquer--the dust thick on their faces, their aureoles
misty with cobwebs. Some gazed with passionless serenity, or blessed
with outstretched hand; some threatened with scowling faces and clenched
thunderbolts: Jizo of the tender smile, in whose sleeves nestle the
souls of dead children; Kwan-on, of divine compassion, with her many
hands; Emma-dai-O, Judge of the Dead, menacing and terrible; strange
sardonic _tengu_, half-bird, half-human. The floor was thick with them.
From shelves on the walls leered swollen, frog-like horrors such as
often appear on Alaskan totem-poles, triple-headed divinities of India
and China, coiled cobras, idols from Ceylon, and curious Thibetan
praying-wheels. A sloping stairway slanted through the gloom; beside it
was an image of the red god, Aizen Bosatsu, his appalling countenance
framed in lurid flames, seated on a fiery lotos.
The master of this celestial and infernal pantheon closed and locked the
door, and mounted the stairway to the loft--a low, rambling room of
eccentric shape, under the curving gables.
Here, through a long window beneath the very eaves, the light still came
brightly. In the center was a board table, littered with delicate
carving-tools. He kindled the charcoal in a bronze _hibachi_, and set
over it a copper pot which began to emit a thick, weedy odor. From a
cabinet he took phials containing various powders, and measured into the
pot a portion from each. Lastly he added a quantity of gold-leaf,
slowly, flake by flake. At one side a white silk cloth was draped over a
pedestal; he drew this away and looked at the unfinished figure it had
concealed. It was an image of Kwan-on, the All-Merciful.
Through the open window the chant of the priests came clearly:
"_Waku hyoryu kokai_
_Ry[=u]gyo Shokinan_
_Nembi Kwan-on riki_
_Har[=o] fun[=o]motsu._"
(He who is beset with perils of dragon and great fish--who
drifts on an endless sea--if he offer petition to Kwan-on, waves
will not destroy him.)
Thorn crossed the room and leaning his elbows on the window-ledge,
looked out. Through the odor of incense the monotonous intonation of the
liturgy rose with the grandeur of a Gregorian chant:
"_Sh[=u]j[=o] kikon-yaku
Mury[=o]ku hisshin
Kwan-on myochiriki
N[=o]ku sekenku._"
(He who is in distress--when immeasurable suffering presses on
him--Kwan-on, all-wise and all-powerful, can save him from the
world's calamity.)
Public-domain text, read in full here on John Shaqi.
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