Nowadays the number of establishments selling or making goods for feminine attire has undoubtedly decreased, but the trade is greater than ever. Well nigh the only alteration one can trace, is that many of the smaller houses have been swallowed up by their big rivals in accordance with the usual conditions of the struggle for life. The big establishments did not, however, step into the arena, huge like Goliaths and armed _cap-à-pié_. As M. Zola relates in the following pages, they likewise had humble beginnings, and would never have expanded as they did, but for the commercial genius of their founders. I remember the "Bon Marché" having but one entrance (in the Rue du Bac, near the corner of the Rue de Sèvres) and ranking, in the opinion of the women of the neighbourhood, far below the "Petit St. Thomas" which it has since altogether outstripped. In the same way the huge block of building now occupied by the "Magasins du Louvre" comprised some forty different shops held by different tenants. Indeed the pile had originally been erected for an hotel, the Grand Hôtel du Louvre, and the shops, even those bearing the name of the Louvre, were at the outset, only a secondary consideration. But gradually a transformation was effected; the drapery emporium became larger and larger, secured the adjoining shops, and ultimately invaded the hotel itself. Certainly all this was not easily brought about. Many neighbouring tenants refused to give way to the monster and clung stubbornly to their leases, fighting the unequal battle with the utmost obstinacy,--an obstinacy such as that which the Baudus, and old Bourras, the umbrella maker, will be found displaying in M. Zola's pages. In the case of the "Louvre", the last of these stubborn antagonists was, if I recollect rightly, a stationer whose shop fronted on the Place du Palais Royal, and I believe that he held out until his lease fell in. At the "Bon Marché" too, the Boucicauts had to contend against similar obstacles; and, there, the enlargement of the premises was attended by difficulties akin to those which M. Zola describes; for many of the adjoining houses were decrepit, tumble-down vestiges of olden Paris; and each time the "Bon Marché" gained a few yards of frontage expensive building operations had to be carried out.