Arthurian romances; Lady of the Lake (Legendary character) -- Romances
592. Lord of a barren heritage. "By the misfortunes of the earlier
Jameses, and the internal feuds of the Scottish chiefs, the kingly power
had become little more than a name. Each chief was a petty king in his
own district, and gave just so much obedience to the king's authority as
suited his convenience" (Taylor).
596. Wot. Knows; the present of the obsolete wit (the infinitive to
wit is still use in legal forms), not of weet, as generally stated. See
Matzner, Eng. Gram. i. 382. Cf. Shakespeare, Rich. III. ii. 3. 18: "No,
no, good friends, God wot." He also uses wots (as in Hen. V. iv. 1. 299)
and a participle wotting (in W. T. iii. 2. 77).
602. Require. Request, ask; as in Elizanethan English. Cf. Shakespeare,
Hen. VIII. ii. 4. 144: "In humblest manner I require your highness,"
etc.
603. The elder lady's mien. The MS. has "the mother's easy mien."
606. Ellen, though more, etc. The MS. reads:
"Ellen, though more her looks betrayed
The simple heart of mountain maid,
In speech and gesture, form and grace,
Showed she was come of gentle race;
'T was strange, in birth so rude, to find
Such face, such manners, and such mind.
Each anxious hint the stranger gave,
The mother heard with silence grave."
616. Weird women we, etc. See on 35 above. Weird here = skilled in
witchcraft; like the "weird sisters" of Macbeth. Down = hill (the Gaelic
dun).
622. A harp unseen. Scott has the following note here: "'"They
[the Highlanders] delight much in musicke, but chiefly in harps and
clairschoes of their own fashion. The strings of the clairschoes are
made of brasse wire, and the strings of the harps of sinews; which
strings they strike either with their nayles, growing long, or else with
an instrument appointed for that use. They take great pleasure to decke
their harps and clairschoes with silver and precious stones; the poore
ones that cannot attayne hereunto, decke them with christall. They sing
verses prettily compound, contayning (for the most part) prayses of
valiant men. There is not almost any other argument, whereof their
rhymes intreat. They speak the ancient French language, altered a
little." [6]
Public-domain text, read in full here on John Shaqi.
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