Arthurian romances; Lady of the Lake (Legendary character) -- Romances
693. Or is it all a vision now? Lockhart quotes here Thomson's Castle of
Indolence:
"Ye guardian spirits, to whom man is dear,
From these foul demons shield the midnight gloom:
Angels of fancy and love, be near.
And o'er the blank of sleep diffuse a bloom:
Evoke the sacred shades of Greece and Rome,
And let them virtue with a look impart;
But chief, awhile, O! lend us from the tomb
Those long-lost friends for whom in love we smart,
and fill with pious awe and joy-mixt woe the heart.
"Or are you sportive?--bid the morn of youth
Rise to new light, and beam afresh the days
Of innocence, simplicity, and truth;
To cares estranged, and manhood's thorny ways.
What transport, to retrace our boyish plays,
Our easy bliss, when each thing joy supplied;
The woods, the mountains, and the warbling maze
Of the wild books!"
The Critical Review says of the following stanza (xxxiv): "Such a
strange and romantic dream as may be naturally expected to flow from the
extraordinary events of the day. It might, perhaps, be quoted as one
of Mr. Scott's most successful efforts in descriptive poetry. Some
few lines of it are indeed unrivalled for delicacy and melancholy
tenderness."
704. Grisly. Grim, horrible; an obsolete word, much used in old poetry.
Cf. Spenser, F. Q. i. 5. 30: "her darke griesly looke;" Shakespeare,
1 Hen. VI. i. 4. 47: "My grisly countenance made others fly," etc. See
also iv. 322, etc. below.
723. Played, etc. The MS. reads:
"Played on/ the bosoms of the lake,
/ Lock Katrine's still expanse;
The birch, the wild rose, and the broom
Wasted around their rich perfume...
The birch-trees wept in balmy dew;
The aspen slept on Benvenue;
Wild were the heart whose passions' power
Defied the influence of the hour."
724. Passion's. The reading of the 1st ed. and that of 1821; some recent
eds. have "passions'."
738. Orisons. The 1st ed. has "orison" both here and in 740 (the ed. of
1821 only in the latter); but the word is almost invariably plural, both
in poetry and prose--always in Shakespeare and Milton.
Canto Second.
Public-domain text, read in full here on John Shaqi.
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