The Lady Poverty: A XIII. Century AllegoryGiovanni, da Parma
Religion
The Lady Poverty: A XIII. Century Allegory
Giovanni, da Parma
Francis, of Assisi, Saint, 1182-1226; Poverty -- Religious aspects -- Catholic Church
The third Latin edition is exceptional from every point of view. It
was published only last year by Père Edouard d’Alençon, the learned
Archivist General of the Friars Minor Capuchins. Père Edouard has
taken his version from a Codex (No. 3560) in the Casanatese Library
in Rome, which he has carefully collated with three other Codexes (of
Milan, Vincenza and Ravenna), noting all the variants at foot. There is
but one fault to find with this scholarly edition: it does not attempt
to give the numerous Scripture references.[2]
{The Italian Editions.} The first Italian edition[3] appeared in 1847
under the title “Meditazione sulla Povertà di Santo Francesco.”[4] It
is taken from a Fourteenth-Century Codex in the Franciscan Convent
of Giaccherino, near Pistoia. Its editors were the Lexicographer,
Pietro Fanfani, and a Canon of Pistoia, Enrico Bindi. It has been
quoted in the great “Vocabolario” of the Academicians of the Crusca,
and has therefore become a “Testo di Lingua” or Italian classic.[5]
The “Meditazione” is a very free translation indeed from the original
Latin. The translator adds beauties and leaves out obscurities at
will. It is curious to us in these days, when Franciscan studies
are being pursued with such avidity all the world over (if I except
England), to reflect that the editors, Fanfani and Bindi, did not know
whether the “Meditazione” was a translation or an original work. The
Fourteenth-Century translator is unknown.
The next Italian edition (1900) is the one given in parallel columns
with the Latin version of Père Edouard d’Alençon’s work above quoted.
It is taken from Codex B. 131 in the Vallicellian Library, and is
probably a Fourteenth-Century work, but, if interesting, it has little
or no merit as an example of fine Tuscan.
The third Italian edition is a much-needed and very welcome work.[6]
It is a reprint of the “Meditazione,” which has for long been so
scarce as to be almost unprocurable. The editor, Don Salvatore
Minocchi, a Florentine priest, and one of the foremost authorities on
matters Franciscan, than whom there could be no one more fitted for the
task, has carefully collated the original edition of the “Meditazione”
with the Codex from which it was taken, and has removed quite a host
of erroneous readings. We may therefore now be said to have, for the
first time, a correct version of this little Italian classic. It was
only printed in the last days of May, and I have to thank the learned
editor for courteously permitting me to see his proof sheets.
AUTHORSHIP AND DATE
Public-domain text, read in full here on John Shaqi.
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